https://www.curatorialresearchbureau.org/people daily 0.75 2020-11-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546802278617-PX6LOQUUXIDE6C71U4AH/Curatorial-Research-Bureau-People-James-Voorhies.jpg People - James Voorhies Director, Curatorial Research Bureau; Chair, Graduate Program in Curatorial Practice, California College of the Arts https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546802278617-PX6LOQUUXIDE6C71U4AH/Curatorial-Research-Bureau-People-James-Voorhies.jpg People - James Voorhies Director, Curatorial Research Bureau; Chair, Graduate Program in Curatorial Practice, California College of the Arts https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1544538381035-ON3LBXMVJWBVSP1HTVOU/Curatorial-Research-Bureau-People-Gwen-Allen.jpg People - Gwen Allen Gwen Allen is Professor of Art History at San Francisco State University, where she specializes in contemporary art, criticism, and visual culture. She has written extensively about art and design for publications including Artforum, Bookforum, Art Journal, ARTMargins, Mousse, Art in America, Art Papers, caa.reviews and East of Bourneo. She is the author of Artists' Magazines: An Alternative Space for Art (MIT Press, 2011), and edited the volume The Magazine in the Documents of Contemporary Art Series (MIT Press and the Whitechapel Gallery, 2016). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541809639616-06YJS0S72GGPFNDCHPGO/Curatorial-Learning-Bureau-People-Giorgio-Angelini.jpg People - Giorgio Angelini Giorgio Angelini came to film from a multifaceted career in the creative arts. After touring with bands like The Rosebuds and Bishop Allen, Angelini enrolled in Rice University’s Masters of Architecture Program. Following graduate school, he worked with the architecture firm Schaum Shieh Architects where he designed a wide array of projects, from an exhibition at the Venice Architecture Biennale to the White Oak Music Hall in Houston, Texas, which received an AIA design award in 2017. Now focused on filmmaking, Angelini launched a production company called Section Perspective Films, the name a nod to his practice operating at the intersection of architecture and film. He served as executive producer for the feature film My Friend Dahmer and directed the documentary-short My Death is Pending…Because. Angelini is currently in production with animator Arthur Jones for a feature documentary about Pepe the Frog, memetics, and the rise of far-right politics in America. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533676523261-ECMZCF864ZA4TMF7QL0X/Curatorial-Learning-Bureau-People-Jamie-Austin.jpg People - Jaime Austin Director of Exhibitions and Public Programming, California College of the Arts, San Francisco, CA; MA Curatorial Practice, 2009 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1536028388215-Z6R73J2L1L8TSPU0QITO/Curatorial-Learning-Bureau-People-Bik-van-der-pol.jpg People - Bik Van der Pol Since 1995, Liesbeth Bik and Jos van der Pol work collaboratively as Bik Van der Pol. Working as a collective for them is a conscious political and artistic choice; an art practice does not develop in a vacuum, but manifests itself both in the framework of the art world as well as in the socio-political milieu of contemporary society. Moving away from the studio as the place of production, they took the artistic workplace itself -practice- as the format of research and production. Setting up the conditions for encounter, they developed a process of working that calls for continuous reconfigurations of places, histories and publics, to question, articulate and understand how to produce a public sphere and space for speculation and imagination, where ‘publicness’ is not only defined but also created. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531949355573-PC5V3WXP3HG59QB646L3/Curatorial-Learning-Bureau-People-Fiona-Ball.jpg People - Fiona Ball Curatorial Project Manager, Yerba Buena Center for the Arts; MA Curatorial Practice, 2020 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532022052560-0YFWE30JFWUS3YE9Y56S/Curatorial-Learning-Bureau-People-Rosa-Barba.jpg People - Rosa Barba Rosa Barba is an artist with a particular interest in film and the ways it articulates space. Taking a conceptual approach to filmmaking, questions of composition, physicality of form, and plasticity play an important role in the perception of her work. She interrogates the industry of cinema with respect to various forms of staging, such as gesture, genre, information, and documents, taking them out of the context in which they are normally seen and reshaping and representing them anew. Barba is based in Berlin. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566864979232-FJ3S0482HLRMAI84J5EZ/CRB-People-Ute-Meta-Bauer.png People - Ute Meta Bauer Ute Meta Bauer is the Founding Director of NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU, Singapore. Previously, she was Associate Professor at Massachusetts Institute of Technology (MIT), Cambridge, where she also served as Founding Director of the MIT Program in Art, Culture, and Technology. As a curator, she is connecting contemporary art, film, video, and sound through transdisciplinary formats. She was co-curator of Documenta11 and co-curated the US Pavilion for the 56th Venice Biennale featuring eminent artist Joan Jonas. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532636720089-BK5S3D5JVLZEZYPPZLPE/Curatorial-Learning-Bureau-People-Petrushka-Bazin-Larsen.jpg People - Petrushka Bazin Larsen Co-founder and co-owner of Sugar Hill Creamery, New York, NY; MA Curatorial Practice, 2008 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1564647007738-D0PY9LPRKP43DOFODPF5/CRB-People-Dena-Beard.png People - Dena Beard Dena Beard is Executive Director of The Lab in San Francisco. She received her MA in Art History, Theory, and Criticism from the School of the Art Institute of Chicago and was previously Assistant Curator at the Berkeley Art Museum and Pacific Film Archive. Dena has commissioned projects with Lutz Bacher, Ellen Fullman, Dora García, Jacqueline Gordon, Anna Halprin, Constance Hockaday, Fritzia Irízar, Norma Jeane, Annea Lockwood, Barry McGee, Brontez Purnell, Xara Thustra, and Apichatpong Weerasethakul. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541713116799-9KNP62VDTS31CSYFY4WI/Curatorial-Learning-Bureau-People-Dore-Bowen.jpg People - Dore Bowen Dore Bowen explores the relationship between photography, politics, and human experience to write alternative histories of contemporary art. Her book Bruce Nauman: Spatial Encounters, with Constance M. Lewallen, is forthcoming from University of California Press. Other publications include “Une Belle Banalité: Dan Graham” in Culture et Musées (forthcoming); “On the Site of Her Own Exclusion: Strategizing Queer Feminist Art History” in Otherwise: Imagining Queer Feminist Art Histories; “This Bridge Called Imagination: On Reading the Arab Image Foundation” in Invisible Culture; and “Imagine There’s No Image (It’s Easy If You Try): Appropriation in the Age of Digital Reproduction” in The Companion to Art History Since 1945. She has received fellowships from the National Humanities Center, the Centre Allemand d’histoire de l’art, The Clark Art Institute, the Camargo Foundation, and the Getty Research Library. She is currently Associate Professor of Art History and Visual Culture at San José State University. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545868304438-8WXTKV7ATZDPMTI8H5NN/Curatorial-Research-Bureau-People-Julia-Born.jpg People - Julia Born Julia Born lives and works in Zurich. Since completing her studies at Amsterdam’s Gerrit Rietveld Academie in 2000, she has worked on various projects between Switzerland, Amsterdam and Berlin. Her practice focuses on editorial design for a variety of cultural clients, including the Stedelijk Museum in Amsterdam, the Kunsthalle Basel, the ICA Miami, the Guggenheim Museum New York, and documenta 14 in Kassel and Athens. Her work, developed in close dialogue with institutions, curators and artists, includes books, magazines, exhibition design, identities and more. Alongside commissioned work, Born has continuously collaborated on investigative projects with other designers and artists, including photographer Uta Eisenreich, fashion designer JOFF, and choreographer Alexandra Bachzetsis. These projects revolve around questions of language and representation. Born teaches graphic design at the Gerrit Rietveld Academie in Amsterdam. Among her numerous prizes, she received the Jan Tschichold Award in 2011, awarded by the Swiss Federal Office of Culture. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925228584-6T67F2DXU5HQ4JPX6WNS/Curatorial-Learning-Bureau-People-Brier.jpg People - Jessica Brier PhD Candidate, History of Art, University of Southern California, Los Angeles, CA; MA Curatorial Practice, 2008 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1536877389935-JIYCTTPY34BORU2CXOC8/Curatorial-Learning-Bureau-People-Laurel-Braitman.jpg People - Laurel Braitman Laurel Braitman is a New York Times bestselling author, historian and anthropologist of science. She is currently a Writer-in-Residence at the Medicine & the Muse Program at the Stanford University School of Medicine where she's busy helping physicians tell better stories--for themselves and their patients. Her writing has appeared in The New York Times, The Guardian, The Wall Street Journal, Wired and other publications. Her last book, Animal Madness (Simon & Schuster 2015) was a NYT bestseller and has been translated into seven languages. She holds a PhD in Science, Technology and Society from MIT, is a Senior TED Fellow and a Contributing Writer for Pop Up Magazine, a live magazine the New York Times has called a “Sensation.” Her work and collaborations with musicians and artists have been featured on the BBC, NPR, Good Morning America and Al Jazeera. She's taught popular interdisciplinary courses at Stanford School of Medicine, Harvard, MIT, Smith College and elsewhere and is passionate about working with musicians, physicians, scientists, and artists. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925224501-53CUL8BNJ4XZBE88ZZ5F/Curatorial-Learning-Bureau-People-Will-Brown.jpg People - A. Will Brown Assistant Curator, Museum of Contemporary Art, Cleveland, OH; MA Curatorial Practice, 2012 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1564397893606-BEU2QJSQAZYW1TDKYJU4/Curatorial-Research-Bureau-People-Leandra-Burnett.png People - Leandra Burnett Leandra is based in Brooklyn. She received a Master of Architecture from the University of Kansas with a concentration in Urban Design. From 2010 to 2014, she served as the founding Director of Front/Space, a storefront apartment in Kansas City that provides the community access to non-commercial exhibitions, installations, readings, screenings, concerts, forums, workshops, research and publishing projects. Leandra works as an Archivist at The Lebbeus Woods Archive in New York City and as an architectural designer and project manager at Overhead NYC. She is pursuing dual studies in Curatorial Practice and the Masters of Advanced Architecture Design program. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578849290841-RHUMSU05SF06TM11WE1V/image-asset.png People - Emmet Byrne Emmet Byrne is Design Director and Associate Curator of Design at the Walker Art Center in Minneapolis. He provides creative leadership and strategic direction for the Walker in all areas of visual communication, branding, and publishing, while overseeing the award-winning in-house design studio. The exhibition Designs for Different Futures—a show about how design helps complicate and create multiple futures which he co-curated—recently opened at the Philadelphia Museum of Art. He was one of the founders of the short-lived design magazine Task Newsletter in 2009 and is the creator of the Walker’s Intangibles platform—a product line of objects with no physical form. His work has been recognized by the NY Times, Wired Magazine, Grafik, Creative Review, among many others; featured in exhibitions such as the 2nd Istanbul Design Biennial and the 27th Brno Biennial; and his book design has twice won the Core77 award for Visual Communication. He is the editor of the Walker’s impulsive design blog, The Gradient. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535492046000-81RNW01C7PEJPPJQRGLB/Curatorial-Learning-Bureau-People-sarah-cathers.jpg People - Sarah Cathers Director of Public Life, Yerba Buena Center for the Arts https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531174371207-U1DITE97Y80T946LD14N/Curatorial-Learning-Bureau-People-Michele-Carlson.jpg People - Michele Carlson Michele Carlson is an artist, writer, curator, and educator based in the San Francisco Bay Area. She is Executive Director at Art Practical, an arts publishing organization based in San Francisco, and serves as President of SoMArts Cultural Center. Michele is Associate Professor in Visual and Critical Studies at California College of the Arts. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554943149570-ICUI0T85R3RF2L7Q1903/Curatorial-Research-Bureau-People-Deena-Chalabi.png People - Deena Chalabi Deena Chalabi is an independent curator and writer. She is the former Barbara and Stephan Vermut Associate Curator of Public Dialogue at the San Francisco Museum of Modern Art. As co-curator, with Dominic Willsdon of Public Knowledge, the multi-year partnership between SFMOMA and the San Francisco Public Library supported by the National Endowment for the Humanities, she worked with artists, library staff and multiple communities to develop collaborative projects that explored the changing Bay Area and the impact of art and ideas in public life today. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545963896957-LIF3I1KTHO4GXM6C0I83/Curatorial-Research-Bureau-People-Yann-Chateigne.jpg People - Yann Chateigné Yann Chateigné is a writer, curator, and professor at the Geneva School of Art and Design (HEAD–Genève). He previously has served as dean of Visual Arts at HEAD–Genève and chief curator at CAPC in Bordeaux. Previous projects include Bringing Something Back, Bergen Kunsthall (2018), Seismology, Palais de Tokyo, Paris (2013) and IAO. Psychedelic Explorations in France, 1968–∞, CAPC (2008). His writings appeared in Artforum, Frieze, Kaleidoscope, Mousse and Spike. He coedited The Archive as a Productive Space of Conflict (Sternberg Press, 2016). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925217412-0B2A90G5HCNTHGG22G7D/Curatorial-Learning-Bureau-People-Clay.jpg People - Jacqueline Clay Executive Director, Coleman Center for the Arts, York, AL; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531087933569-RMRHSXP233Q8Y7E40YC1/Curatorial-Learning-Bureau-People-Naz-Cuguoglu.jpg People - Naz Cuguoğlu Communications and Media Editor, Blum & Poe; MA Curatorial Practice, 2020 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1569262393948-1F68AAPRYLC2I3KMQ9KN/CRB-People-Brian-Conley.png People - Brian Conley Brian Conley is an artist. He co-founded Cabinet magazine with Sina Najafi, and has served as Educational and Curatorial Adviser to Sada (Echo) for Contemporary Iraqi Art. He was a visiting artist at the American University in Cairo in 2014, and at Spring Sessions in Amman, Jordan, in 2017. Since 2006, he has been coordinator of the MENA working group for students and faculty from the Middle East and North Africa at the California College of the Arts. He holds a PhD in Philosophy from the University of Minnesota, and teaches in the Graduate Fine Arts and Sculpture Programs at CCA. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533676380721-2S271WZMXJDHQPPP3YN4/Curatorial-Learning-Bureau-People-Nicole-Cromartie.jpg People - Nicole Cromartie Director of Education and Programs, Clyfford Still Museum, Denver, CO; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925217467-8EDMWRZUKRXIWG6BUULL/Curatorial-Learning-Bureau-People-Courtney-Dailey.jpg People - Courtney Dailey Vice President, Color Design, Nike, Portland, OR; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542232012749-I7T1C3KC7E60LHNDOP09/Curatorial-Research-Bureau-People-Allan-deSouza.jpg People - Allan deSouza Allan deSouza’s cross-media works restage colonial-era material legacies through counter-strategies of humor, fiction, and (mis)translation. A recent project, Through the Black Country… (2017), transposes Henry Stanley’s 1870s expedition journals to England during the 2016 Brexit vote, and is accompanied by expedition maps, photographs, and a base camp. deSouza’s work has been shown extensively in the US and internationally, including at the Krannert Museum, IL; the Phillips Collection, Washington, DC; and the Pompidou Centre, Paris. deSouza’s book, How Art Can Be Thought (Duke, 2018), examines art pedagogy, and proposes decolonizing artistic and pedagogical practices that can form new attachments within the contemporary world. The book provides an extensive analytical glossary of some of the most common terms used to discuss art, focusing on their current usage while considering how those terms may be adapted to new artistic and social challenges. deSouza is represented by Talwar Gallery, NY and New Delhi, and is an Associate Professor and Chair of the Department of Art Practice at University of California, Berkeley. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539901135625-O7PQ245WB0R017EJVV00/Curatorial-Learning-Bureau-People-Sara-Dean.jpg People - Sara Dean Sara Dean is an architect and design strategist in the Bay Area. She is Assistant Professor and Assistant Chair in graduate design at California College of the Arts, and Chief Designer at Modern Empathy. Her work considers the implications of emerging digital technologies on public engagement and equity. Focused on civic and environmental adaptability and emergency, this works spans spatial and digital media, with a commitment to open-access data and crowd-production. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534386129732-NL22RJMESYRLBBHNEENM/Curatorial-Learning-Bureau-People-Joseph-del-Pesco.jpg People - Joseph del Pesco International Director, KADIST, Paris, San Francisco; MA Curatorial Practice, 2007 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535038833197-Q3MTBS1AOPTGBECB1SY6/Curatorial-Learning-Bureau-People-Erin-Elder.jpg People - Erin Elder Founder and Director, Gibbous Creative, Santa Fe, New Mexico; MA Curatorial Practice, 2007 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534083568420-UQ6UPWB1VX2VEYNSZAYW/Curatorial-Learning-Bureau-People-Emily-Gonzalez-Jarrett.jpg People - Emily Gonzalez-Jarrett Artist and Museum Liaison, Honor Fraser, Los Angeles, CA; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578849636988-XZ6SUM31TPL1HH57KEJ2/image-asset.png People - Elena Filipovic Elena Filipovic is director and curator of Kunsthalle Basel. She previously served as senior curator at WIELS Contemporary Art Centre in Brussels from 2009—2014 and in 2008 co-curated When Things Cast No Shadow, the 5th Berlin Biennale for Contemporary Art, with Adam Szymczyk. She has curated over fifty solo and group exhibitions with emerging and established artists alike. She has edited a number of anthologies on exhibition histories, including The Artist as Curator: An Anthology (Mousse Publications, 2017), and The Biennial Reader: Anthology on Large-Scale Perennial Exhibitions of Contemporary Art (Hatje Cantz, 2010), co-edited with Marieke van Hal and Solveig Øvstebø. She is author of David Hammons, Bliz-aard Ball Sale (Afterall Books, 2017) and The Apparently Marginal Activities of Marcel Duchamp (MIT Press, 2016). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925222072-CXUBBQMBTZ3U4UJJXCPD/Curatorial-Learning-Bureau-People-Chris-Fitzpatrick.jpg People - Chris Fitzpatrick Director, Kunstverein München, Munich, Germany; MA Curatorial Practice, 2009 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545874550984-DU022UQA8R4G32ETGFG4/Curatorial-Research-Bureau-People-Erin-Fletcher.jpg People - Erin Fletcher Director and Curator, Ross Art Museum, Ohio Wesleyan University, Delaware, OH; MA Curatorial Practice, 2011 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546559920075-U01BR8485RY0S79ZN55X/Curatorial-Research-Bureau-People-David-Evans-Frantz.jpg People - David Evans Frantz David Evans Frantz is Associate Curator at the Palm Springs Art Museum. From 2011 to 2018 he was the curator at ONE National Gay & Lesbian Archives at the USC Libraries. His curatorial projects examine alternative art movements, queer politics and culture, historical erasure, and archival practices in contemporary art. At ONE he founded a visual arts program that presented historical exhibitions and artist commissions responding to ONE’s collections. In 2017 he co-curated with C. Ondine Chavoya the exhibition Axis Mundo: Queer Networks in Chicano L.A., a collaboration between ONE Archives and The Museum of Contemporary Art, Los Angeles for Pacific Standard Time: LA/LA. Axis Mundo is traveling to multiple venues in the United States between 2018 and 2020 and has been the recipient of numerous awards, including an Award for Excellence from the Association of Art Museum Curators (AAMC) for the exhibition catalogue. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542067808047-O6TF1J3NPB5J7OBAO45L/Curatorial-Research-Bureau-People-Megan-Franz.jpg People - Megan Franz Head of Visitor Services, MOCAshop Manager, Museum of Contemporary Art Tucson; Collections Assistant, Tucson Museum of Art; MA Curatorial Practice, 2017 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533167331308-B3814CYTMEMH8G3N6LCS/Curatorial-Learning-Bureau-People-Simon-Fujiwara.jpg People - Simon Fujiwara Simon Fujiwara has shaped a complex and rich practice that interweaves performance, film, sculpture, and text into highly immersive environmental installations exploring the inherent contradictions in meaning and interpretation of image and representation. Often bringing personal experiences (both real and imagined) into contact with broader historical, social, and political topics, his expansive practice examines the influence marketing, advertising, social media, and other communication mechanisms have on the construction of personal identity. Fujiwara is based in Berlin and represented by Esther Schipper, Berlin. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542155506905-1HKI5YG1XE7WOSMX8NHA/Curatorial-Research-Bureau-People-Megan-Gallagher.jpg People - Megan Gallagher FounderOwner, Head Over Heels Gymnastics and Circus SF; Director/Owner Mega Aerials Entertainment; Producer, North Beach Cabaret; MA Curatorial Practice, 2014 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534385186153-KZ6BIJCTP1O70CDS2BV5/Curatorial-Learning-Bureau-People-Pierre-Francois-Galpin.jpg People - Pierre-François Galpin Independent Curator, Project Manager at l'Observatoire de l'Espace, Paris, FR; MA Curatorial Practice, 2014 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532921051510-KELB3YVJ5PWA2RXAXLM7/Curatorial-Learning-Bureau-People-Tanya-Gayer.jpg People - Tanya Gayer Independent Curator, Exhibition Manager at Sonoma Valley Museum of Art, Sonoma, CA, and Chief Curator of the Soundwave ((8)) Biennial, San Francisco, CA; MA Curatorial Practice, 2015 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542067649986-66CZ1ZY7VOA84XDCEBGS/Curatorial-Research-Bureau-People-Clare-Haggarty.jpg People - Clare Haggarty Senior Manager, Transportation Planning (Arts & Design), Los Angeles County Metropolitan Transportation Authority (LA Metro) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1564397844338-BMYNQSO1HA47PL1LFEK4/Curatorial-Research-Bureau-People-Katherine-Hamilton.png People - Katherine Hamilton Katherine is a Toronto-based writer and curator currently living and working in the Bay Area. Her research interests include feminism and technology, diaspora and identity, and artist biographies. Katherine holds a BA in Art History from the University of Toronto and is pursuing a dual MA in Curatorial Practice and Visual and Critical Studies. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1564397952501-Z9PZ1G0YGPQWBSX73NKO/Curatorial-Research-Bureau-People-Shaelyn-Hanes.png People - Shaelyn Hanes Shaelyn is a San Francisco-based artist and curator focused on socially engaged art. Prior to joining CCA, she oversaw the finances and operations of Creativity Explored, a nonprofit studio and gallery for adult artists with developmental disabilities, where she curated exhibitions for local, national and international art fairs. She previously worked as a nonprofit project manager and HIV/AIDS educator in South Africa. Shaelyn holds a BA in Interdisciplinary Field Studies concentrating on art in developing political societies from the University of California, Berkeley. She is pursuing a MA in Curatorial Practice. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543686657663-JEMZRE5QFXZ1ABKZOGWW/Curatorial-Research-Bureau-People-Shannon-Harvey.jpg People - Shannon Harvey Shannon Harvey is co-founder of Los Angeles-based design studio IN-FO.CO (Inventory Form & Content) and Managing Director of Inventory Press, publishing books on topics in art, architecture, graphic design, and music. With a background in architecture and graphic design, Harvey previously worked in design, editorial, and curatorial roles at Project Projects, Rockwell Group, Canadian Centre for Architecture, and OMA/AMO Rotterdam. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1571232198869-I5KZLEQ28UFSQFLZ0NV0/CRB-People-Chris-Hamamoto.png People - Chris Hamamoto Chris Hamamoto is a designer, and educator based in Berkeley, CA. He is an assistant professor at California College of the Arts and holds an MFA from Rhode Island School of Design. In addition to teaching, he maintains an independent practice–pursuing his interest in how automation and algorithms effects social relationships and aesthetics–a topic he explores through graphic design and software design and production. He has shown work and lectured internationally, and has been recognized by institutions such as Printed Matter, STA Chicago, the Walker Art Center, Hongik University, and Yerba Buena Center for the Arts. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925225185-SA2DFZ8HMRC4N7NMAWYY/Curatorial-Learning-Bureau-People-Magdalena-Hartelova.jpg People - Magdalena Härtelova Curator, Gallery of the Academy of Fine Arts, Prague, CZ; MA Curatorial Practice, 2017 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532887006341-VTSJM6MVJ8SWF9T4CD4K/Curatorial-Learning-Bureau-People-Shoghig-Halajian.jpg People - Shoghig Halajian Shoghig Halajian is a curator and writer who serves on the Board of Directors at Human Resources LA. From 2013 to 2016, she was Assistant Director at LACE, where she curated numerous exhibitions. She has presented projects at the Hammer Museum, Los Angeles; UKS, Oslo; Le Magasin-Centre National d’Art Contemporain, Grenoble, among other venues. She is currently a PhD student in Art History, Theory, and Criticism at the University of California, San Diego. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1565274275906-OQ9BOWDWNZR9T0FHHFUN/CRB-People-Glan-Helfand.png People - Glen Helfand Glen Helfand is a writer, critic, and curator. He writes about art, culture, and design for Artforum, Art on Paper, the San Francisco Bay Guardian, and other publications and exhibition catalogs. He also is the associate editor of CMYK. Glen has organized exhibitions for the de Young Museum, the San Jose Museum of Art, the Pasadena Museum of California Art, the San Francisco Art Institute, the Mills College Art Museum, and numerous alternative and commercial galleries. He also organizes the visiting artists lecture series at the San Francisco Art Institute. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534339548082-G28NZLEM8WT5TONSN9QM/Curatorial-Learning-Bureau-People-Constance-Hockaday.jpg People - Constance Hockaday Constance Hockaday’s work is about creating portals that get people closer to the water and nature, and closer to that feeling of belonging in a place (preferably the place where they live). Hockaday has most often looked to water as a place for hosting social sculptures and immersive experiences. She believes the shoreline is a place where many human and non-human interests collide. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547225159810-861MWX2Y6H4M65F6N1BS/Curatorial-Research-Bureau-People-Scott-Holmquist.jpg People - Scott Holmquist American artist Scott Holmquist has lived and worked in Berlin since 2011. His books, interventions, exhibitions and installations are shown throughout Europe and the United States and have consistently focused upon and interrogated how young males work outside and against their dominant cultures. His recent work Dealer Poses, which examined park drug dealers in Berlin, was presented at Gallerie IG Bildende Kunst in Vienna, Austria, in March 2019. Holmquist has received support from Conservation International; New York State Council on the Arts; the Heinrich Böll Foundation; the Rosa Luxembourg Foundation; Furthermore, Inc; the Kreuzberg Museum, Berlin; and the Provisions Library: the Arts of Social Change at George Mason University, Fairfax, Virginia. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548010830678-7Z6LWXCF9DZ7VA9XT646/Curatorial-Research-Bureau-People-Walter-Hood.jpg People - Walter Hood Walter Hood is the Creative Director and Founder of Hood Design Studio in Oakland, California. Hood Design Studio is his tripartite practice, working across art + fabrication, design + landscape, and research + urbanism. He is also a professor of landscape architecture at the University of California, Berkeley and lectures on professional and theoretical projects nationally and internationally. Hood designs and creates urban spaces and objects that are public sculpture. Believing everyone needs beauty in their life, he makes use of everyday objects to create new apertures through which to see the surrounding emergent beauty, strangeness, and idiosyncrasies of urban space. His ideas emerge from years of studying and practicing architecture, landscape architecture, and fine arts, and yet Hood tactfully eschews from differentiating between the three on any one project. The Studio’s award winning work has been featured in publications including Dwell, The Wall Street Journal, The New York Times, Fast Company, Architectural Digest, Places Journal, and Landscape Architecture Magazine. Walter Hood is also a recipient of the 2017 Academy of Arts and Letters Architecture Award. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533510884558-P9RSZ3G5K48KL1Y447M8/Curatorial-Learning-Bureau-People-Katie-Morgan.jpg People - Katie Hood Morgan Program Director, FOR-SITE Foundation, San Francisco, CA. Curatorial Practice MA, 2010. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532920509473-44VU5S6EIAP0999G7ZRS/Curatorial-Learning-Bureau-People-Amanda-Hunt.jpg People - Amanda Hunt Amanda Hunt is Director of Education and Public Programs at the Museum of Contemporary Art, Los Angeles, and co-curator of the 2019 Desert X Biennial in Palm Springs. Past appointments include Associate Curator at The Studio Museum in Harlem, New York, and Curator at LAXART, Los Angeles, where she helped coordinate the 2012 Pacific Standard Time Public Art and Performance Festival for the Getty Research Institute, and Made in L.A. 2012, the Hammer Museum’s first Los Angeles biennial. At the Studio Museum, Hunt produced numerous exhibitions, including A Constellation, Black Cowboy, and in 2016 commissioned inHarlem: Kevin Beasley, Simone Leigh, Kori Newkirk, Rudy Shepherd, a public sculpture initiative in partnership with the New York City Parks Department. Hunt was also the first nonregional curator of the Portland Biennial of Contemporary Art in 2014. She obtained an MA in curatorial practice from California College of the Arts. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532920509473-44VU5S6EIAP0999G7ZRS/Curatorial-Learning-Bureau-People-Amanda-Hunt.jpg People - Amanda Hunt Director of Education and Public Programs, Museum of Contemporary Art, Los Angeles, CA; MA Curatorial Practice, 2011 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533566143637-W5YAMZEV8OI295T6GDLW/Curatorial-Learning-Bureau-People-Jacqueline-Im.jpg People - Jacqueline Im Co-director and Curator, Et al. and Et al. etc., San Francisco, CA; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532636786227-T2T36IYZ03AM0JL9U8EC/Curatorial-Learning-Bureau-People-Dane-Jensen.jpg People - Dane Jensen Director of Contemporary Art and Auctioneer, Bonhams Auctioneers, Los Angeles, CA; MA Curatorial Practice, 2012 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551977079104-TB6JHN2UFHXOOOPE9UXS/Curatorial-Research-Bureau-People-Susie-Kantor.jpg People - Susie Kantor Susie Kantor is the associate curator of visual art at YBCA. She holds an MA in art history with a focus on seventeenth-century Dutch painting from New York University, Institute of Fine Arts, and a BA in art history and political science from Wellesley College. Her curatorial projects include Bay Area Now 8 (co-curated with Lucía Sanromán and Martin Strickland), Tania Bruguera: Talking to Power / Hablándole al Poder (2017) (co-curated with Lucía Sanromán), Won Ju Lim: Raycraft Is Dead (2015), Kevin Cooley: Golden Prospects (2015), and Work in Progress: Investigations South of Market (2015), and she served as the coordinating curator for the traveling exhibition Radical Presence: Black Performance in Contemporary Art (2015). Prior to YBCA, she held positions at the Asian Art Museum, San Francisco, and at Richard L. Feigen & Co., New York. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1565626011789-XB4BJUBN0G3F4UH7Z2ST/CRB-People-Na-Kim.png People - Na Kim Na Kim is a graphic designer currently based in Seoul and Berlin, as a member of Table Union. She has focused on the visual language on autonomous works as well as various cultural commissioned projects. She was responsible for concept and design of GRAPHIC magazine from 2009 to 2011 and has initiated, since 2015, a series of projects based on her monograph SET. Her solo exhibitions include Black and White (2019), Red, Yellow, Blue (2017), SET (2015), Choice Specimen (2014), Found Abstracts (2011), and Fragile (2006). Kim has served as curator for Brno Biennale, Chaumont Festival, Seoul International Typography Biennale, and Fikra Graphic Design Biennial. She has worked on projects with COS, Hermès, ÅLAND and other commercial clients, as well as shown work at National Museum of Modern and Contemporary Art, Seoul, Victoria & Albert, London, MoMA, Milan Triennale Museum, and Die Neue Sammlung Design Museum, Munich. Na Kim is a member of AGI since 2016. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925211111-ID1CZK53QXST4H1WS0AJ/Curatorial-Learning-Bureau-People-Mattie-Klett.jpg People - Madeleine Klett Administrative Assistant, Contemporary Art, SFMOMA, San Francisco, CA; MA Curatorial Practice, 2018 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556503436733-W9FM5UIH3TU31VVPG7X7/Curatorial-Research-Bureau-Chloe+Kwiatkowski.png People - Chloe Kwiatkowski Chloe is an arts organizer and writer based in Oakland, California. She is the Publishing Assistant at Art Practical and the Exhibition and Design Fellow at The Flight Deck. Chloe was previously an Art Educator at the Tucson Museum of Art. She holds a BA in Art and Visual Culture Education with an emphasis in Communities and Museums from the University of Arizona. She is pursuing a dual MA in Curatorial Practice and Visual and Critical Studies. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542233595384-SMHZJVVYHO2BWUQ9FN2E/Curatorial-Research-Bureau-People-Grace-Kook-Anderson.jpg People - Grace Kook-Anderson Curator of Northwest Art, Portland Art Museum, Portland, OR; MA Curatorial Practice, 2007 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554943665498-L3EKZUQDA731AMPOG4LE/Curatorial-Research-Bureau-People-lian-Ladia.png People - Lian Ladia Lian Ladia is a curator and organizer. She is currently working on the research and presentation of Filipino American Bay Area Artist Carlos Villa's works at the Singapore Biennale 2019. Her curatorial collaborative, Planting Rice was also invited to lead the public program of the exhibition at the National University of Singapore. She is also an organizer at the South of Market Community Action Network (SOMCAN) working on community planning and engagement projects on social equity and art and culture empowering immigrant families in the SOMA. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1528995608571-3OEZV6T2S2WGMJNL2MM9/Curatorial-Research-Bureau-People-Claudia-La-Rocco.png People - Claudia La Rocco Claudia La Rocco is author of the selected writings The Best Most Useless Dress (Badlands Unlimited) and the novel petit cadeau (The Chocolate Factory Theater). Her poetry and prose have been published in 6X6 #34: I Like Softness (Ugly Duckling Presse), Imagined Theatres: Writing for a Theoretical Stage (Daniel Sack, ed.; Routledge), On Value (Ralph Lemon, ed.; Triple Canopy), among others. She was a critic and reporter for the New York Times from 2005 to 2015. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534385812581-1CYU5DK81T65F5ETPMB8/Curatorial-Learning-Bureau-People-Sharon-Lerner.jpg People - Sharon Lerner Contemporary Art Curator, Museo de Arte de Lima, Lima, PE; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542741306256-DTC2WEFKZOVJR99N7QMO/Curatorial-Research-Bureau-People-Connie-Llewellan.jpg People - Constance Lewallen Constance Lewallen is adjunct curator at the University of California, Berkeley Art Museum and Pacific Film Archive where first she was MATRIX curator and subsequently senior curator who organized many major exhibitions. These include Joe Brainard: A Retrospective (2001), The Dream of the Audience: Theresa Hak Kyung Cha (1951-1982) (2001); Everything Matters: Paul Kos, a Retrospective (2003); Ant Farm 1968-1978 (with Steve Seid) (2004); A Rose Has No Teeth: Bruce Nauman in the 1960s (2007; State of Mind: New California Art ca. 1970 (with Karen Moss) (2011). All of these toured nationally and internationally and were accompanied by catalogues. Her most recent exhibition, Mind over Matter, was presented at BAMPFA in 2016. Lewallen is author of 500 Capp Street: David Ireland’s House and co-author of Bruce Nauman: Spatial Encounters, both published by UC Press. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546617665907-A1N2TUBGK0TM8EQ8UAHU/Curatorial-Research-Bureau-People-nancy-lim.jpg People - Nancy Lim Nancy Lim is assistant curator of painting and sculpture at the San Francisco Museum of Modern Art, where she focuses on postwar and contemporary California art. She is co-curator of the forthcoming exhibitions Mythos, Psyche, Eros: Jess and California (2019) and the 2019 SECA Art Award, as well as a Deborah Remington survey opening at di Rosa Center for Contemporary Art in spring 2020. She also contributed to the retrospectives of Bruce Conner (2016–17) and Vija Celmins (2018–19), and has organized collection exhibitions including Between Two Worlds (2017–18) and Stranger in a Strange Land: Art of California (2018). Prior to SFMOMA, she served as Asian Art Curatorial Fellow at the Guggenheim Museum, and as Curatorial Assistant in the Department of Painting and Sculpture at the Museum of Modern Art, New York. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532544158879-2A6RQRUKRW7CXYHU0YST/Curatorial-Learning-Bureau-People-Maria-Lind.jpg People - Maria Lind Maria Lind is a curator, writer, and educator based in Berlin. She was director of Tensta konsthall from 2011 to 2018, and artistic director of the 11th Gwangju Biennale; director of the graduate program, Center for Curatorial Studies, Bard College (2008–10); and director of Iaspis in Stockholm (2005–07). From 2002 to 2004, she was director of Kunstverein München, and in 1998 was co-curator of Manifesta 2. She is professor of artistic research at the Art Academy in Oslo. In 2010, Selected Maria Lind Writing was published by Sternberg Press. (Portrait by Bernd Krauss) Maria Lind is the program’s 2018/19 Curator-in-Residence. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532544158879-2A6RQRUKRW7CXYHU0YST/Curatorial-Learning-Bureau-People-Maria-Lind.jpg People - Maria Lind Maria Lind is a curator, writer, and educator based in Berlin. She was director of Tensta konsthall from 2011 to 2018, and artistic director of the 11th Gwangju Biennale; director of the graduate program, Center for Curatorial Studies, Bard College (2008–10); and director of Iaspis in Stockholm (2005–07). From 2002 to 2004, she was director of Kunstverein München, and in 1998 was co-curator of Manifesta 2. She is professor of artistic research at the Art Academy in Oslo. In 2010, Selected Maria Lind Writing was published by Sternberg Press. (Portrait by Bernd Krauss) Maria Lind is the program’s 2018/19 Curator-in-Residence. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1530573732176-VM8QM0W4WDL49O69PQ81/Curatorial-Learning-Bureau-People-Christina-Linden.png People - Christina Linden As a curator, educator, and cultural producer, Christina Linden supports social relevancy and creates platforms for underrepresented voices. Her recent shows have addressed feminism, queer culture, performance, social practice, and the interplay of art, the environment, and history/herstory/hxstory. She has curated projects at the Oakland Museum of California, Stanford University, SFMOMA, Kadist, and the Hessel Museum, and has taught at Carnegie Mellon University, SFAI, CSU, and Bard College. Her writing has been published in Art in America, Fillip, and Modern Painters. Linden holds an MA in Curatorial Studies from Bard College, and a BA in Art History from New York University. She is Associate Professor in the Graduate Program in Curatorial Practice at CCA. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1564398011984-G4YCOS9DQFW2R31789Y6/Curatorial-Research-Bureau-People-Youyou-Ma.png People - Youyou Ma Youyou is a curator and artist based in Shanghai. Her curatorial research interests include geopolitics and hermeneutics. She received a BA in Fine Art from Shanghai University where, during her studies, she served as a researcher of display design at the L Frame Studio. She is pursuing a MA in Curatorial Practice. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542155112415-HN1KEWF6KI17EO8G2U2S/Curatorial-Research-Bureau-People-Allegra-Madsen.jpg People - Allegra Madsen Director of Programs, Bayview Opera House, San Francisco, Ca; MA Curatorial Practice, 2007 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1550192323865-0MC6CCCE0M18N5GIY0HI/Curatorial-Research-Bureau-People-Ted-Mann.jpg People - Ted Mann Ted Mann is an independent curator based in the Bay Area. He was the guest curator for Bruce Nauman: Blue and Yellow Corridor at the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California Davis, and is the co-curator of a forthcoming survey of Stephen Kaltenbach opening at the Manetti Shrem in January 2020. He is also consulting associate curator for the Solomon R. Guggenheim Museum's Panza Collection Initiative (2010-2020). Mann received his MA and MPhil from the Institute of Fine Arts, New York University. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1564397220951-D0VJKNK7J47SNQ3TYLRG/Curatorial-Research-Bureau-People-Emily-Markert.png People - Emily Markert Emily is an arts professional originally from New York. She received a BA from Johns Hopkins University with dual majors in History and English and minors in Museum Studies and Fine Art. Prior to pursuing her MA in Curatorial Practice at CCA, she worked with Sotheby’s in New York, where she worked with a global network of collectors and art institutions. She has also worked with the Jewish Museum and Art in Odd Places, a performance art festival, both in New York City. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925221626-L9EWT64ITJV9AXNXUM51/Curatorial-Learning-Bureau-People-antonia-marsh.jpg People - Antonia Marsh Founder and Owner, Soft Opening, London, UK; MA Curatorial Practice, 2013 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534341594696-8JXU25ICDSJZIP4IGFG5/Curatorial-Learning-Bureau-People-Carleigh-McDonald.jpg People - Carleigh McDonald Director, Leadership Gifts, California College of the Arts https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545868273499-O304N9BT4HEGI1B8EVEZ/Curatorial-Research-Bureau-People-Josiah-McElheny.jpg People - Josiah McElheny Josiah McElheny is a sculptor who draws from the decorative and functional traditions of glass to craft a new, multifaceted form of contemporary art. Often using narratives inspired by the histories of art, design, and glass as points of departure, McElheny creates objects of exceptional formal sophistication, exquisite craftsmanship, and conceptual rigor. While the beauty of his blown glass objects invite viewers into his installations, the narratives behind each piece encourage thoughtful reflection upon the objects’ significance. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1544641671935-PUXAKI1UN7ISB6T1WQU1/Curatorial-Research-Bureau-People-Larissa-Mellor.jpg People - Larissa Mellor Academic Partnerships Project Manager, California College of the Arts https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1565274193141-HGJJCSZS7TQ5VPD5NP9K/CRB-People-J.-Myers-Szupinska.png People - J. Myers-Szupinska J. Myers-Szupinska is an art historian, editor and curator whose essays have appeared in Afterall, Art Journal, Artforum, Fillip, Frieze, October, Tate Papers, exhibition catalogues, academic journals, and elsewhere. At CCA Myers teaches contemporary art history, the history of exhibitions, and has advised since 2010 the written and curatorial components of the thesis sequence in Curatorial Practice. Since 2011 Myers has worked with J. Szupinska as part of the critical and curatorial collaboration grupa o.k., producing projects for San Francisco Museum of Modern Art, Museum of Contemporary Art, Chicago, School of the Art Institute of Chicago, Muzeum Sztuki, Łódź, Poland, and Plug In ICA, Winnipeg, Canada, and other institutions. Titled Citizens of Nowhere, Myers' current research focuses on international exhibitions and the globalization of contemporary art discourse in the 1990s, in light of immigration, integrationspolitik, and the politics of online sociability. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543435678295-SDTPVUTDPAMAFDVLEQVM/Curatorial-Research-Bureau-People-Adam-Michaels.jpg People - Adam Michaels Adam Michaels is a designer, editor, and publisher. He is the co-founder of IN-FO.CO (Inventory Form & Content) and publisher of Inventory Press. Previously, he co-founded internationally-renowned design studio Project Projects (2004–2017), recipient of the 2015 Cooper-Hewitt National Design Award for Communication Design. Michaels is co-author of The Electric Information Age Book: McLuhan/Agel/Fiore and the Experimental Paperback. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925210354-T8AWMSPFQYJF7QI4XQ9C/Curatorial-Learning-Bureau-People-Charles-Moffet.jpg People - Charles Moffett Gallerist, Charles Moffett Gallery, New York, NY; MA Curatorial Practice, 2011 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533510491147-XI64RV2IWDG045BSTOUW/Curatorial-Learning-Bureau-People-Qianjin-Montoya.jpg People - Qianjin Montoya Independent Curator of Research and Institutional Memory, Public Knowledge, SFMOMA, San Francisco, CA; MA Curatorial Practice, 2017 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551977159992-DA4WSONW207JVT0BDL2C/Curatorial-Research-Bureau-People-Qianjin-Montoya.jpg People - Qianjin Montoya Qianjin Montoya is a San Francisco–based independent curatorial researcher. She holds an MA in curatorial practice from California College of the Arts and a BA in art history from UC Berkeley. She was co-curator and program coordinator of her graduate thesis exhibition, Black Light (2017), which took place at the CCA Wattis Institute for Contemporary Arts and involved discussions on cultural institutions, community building, and creative invention among black artists in the United States. Her contributions to YBCA’s Bay Area Now 8 included a timeline and an essay, “Twenty Years of Bay Area: Legacy of the Locals.” She is a 2018/19 Emerging Arts Professionals (EAP) SF/Bay Area Fellow and has held positions at Jessica Silverman Gallery in San Francisco and One Grand Gallery in Portland, Oregon. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547744885493-73RS943VOVH0W8M0415D/Curatorial-Research-Bureau-People-Vee-Moran.jpg People - Viniita (Vee) Moran Viniita (Vee) Moran is an artist, bookseller, and publisher. She is the founder of Owl Cave Books, a San Francisco-based independent bookshop and publisher specializing in international contemporary art, theory, culture, and politics. Established in London in 2008 while she was also Bookshop Manager at the Institute of Contemporary Arts, Owl Cave has been based in the Bay Area since 2010. Owl Cave continues through multiple iterations, participating in exhibitions, book fairs, contributing to publications, research groups, and from 2016 until 2018 operating a full time experimental artist-run bookshop in San Francisco’s Mission District. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531949770800-NDLJ8HVE8B263IDJ194F/Curatorial-Learning-Bureau-People-Shahryar-Nashat.jpg People - Shahryar Nashat In his sculptures, photographs, and films, the artist Shahryar Nashat often addresses the representation of the body and the conventions of mediation and presentation. Nashat finds great pleasure in details, and his works—with their near-obsessive methods of framing and cropping—draw the viewer into a world of clandestine forms, artful gestures, and posturing. Nashat is represented by David Kordansky Gallery, Los Angeles, and Rodeo Gallery, London. He is currently based in Los Angeles. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533510205739-XPWDQKYBK8N2ELSO427X/Curatorial-Learning-Bureau-People-Amanda-Nudelman.jpg People - Amanda Nudelman Collection Manager & Americas Assistant Curator, Kadist, San Francisco, CA; MA Curatorial Practice, 2017 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1540857801663-KC3RC9QY4QLKI3CT551P/Curatorial-Learning-Bureau-People-Helen-Maria-Nugent.jpg People - Helen Maria Nugent Prior to her 2017 appointment as Dean of Design at California College of the Arts, Helen Maria Nugent held a series of leadership positions at School of the Art Institute of Chicago (SAIC) since 1997, including chair of the Designed Objects programs; director of the MDes, MFA, and BFA Pathway programs; and director of the First-Year program. She has taught in SAIC’s Department of Architecture, Interior Architecture, and Designed Objects since 1997, and became full professor in 2010. Nugent is co-founder of HAELO Design with Ron Kirkpatrick. Haelo is an independent, research-oriented studio that pursues speculative and commercial design projects with a focus on furniture, objects, services, and exhibition design. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1565276906017-O4GBJDEF8UFENOD8N1BM/CRB-People-Lauren-R.-OConnell.png People - Lauren R. O’Connell Assistant Curator, Scottsdale Museum of Contemporary Art, Scottsdale, AZ; MA Curatorial Practice, 2014 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925209772-8VXZY3SMSWRZZGN96XZI/Curatorial-Learning-Bureau-People-Ortiz.jpg People - Maria Ortiz Associate Curator, Pérez Art Museum Miami, Miami, FL; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1552360896397-AM8YLZIBNHFKM0X6J779/Curatorial-Research-Bureau-People-Yomna-Osman.jpg People - Yomna Osman Yomna is a curator and researcher born in Cairo, Egypt. Her research interests include cultural critiques of post-coloniality and globalization as well as societal and political factors that that the construction of identity, including gender, race, nationality, class, and sexuality. She is pursuing a dual MA in Curatorial Practice and Visual and Critical Studies. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1565280402258-944ZREOZ1NEOXNWPKGI0/CRB-People-Nate-Padavick.png People - Nate Padavick Designer and Associate Director, Curatorial Research Bureau https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533223710875-TVHQT4ODHZ5V6VRYXR9O/Curatorial-Learning-Bureau-People-Barbara-Pollack.jpg People - Barbara Pollack Barbara Pollack is an award-winning journalist, art critic, and curator who is one of the world’s leading authorities on contemporary Chinese art. Pollack’s writing has appeared in Vanity Fair, the New York Times, the Washington Post, the Village Voice, Departures, Art and Auction, and Art in America, among many others. She has also written several groundbreaking monographs on young Chinese artists, including the first published artist profile of Ai Weiwei for ARTnews in 2005. She lectures regularly across the USA and Asia, and was the keynote speaker at 2018’s Art Basel Hong Kong. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535635257533-ZKJBHSDF0TFGQTJUB9OY/Curatorial-Learning-Bureau-People-Post-Brothers-%28Matthew-Post%29.jpg People - Post Brothers (Matthew Post) Curator, Kunstverein München, Munich, Germany; MA Curatorial Practice, 2009 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551977216901-VV0DXN99PZ4NEMLDNCBE/Curatorial-Research-Bureau-People-Renny-Pritikin.jpg People - Renny Pritikin Renny Pritikin was born in New York and holds a BA from New School College, New York, and an MA in interdisciplinary arts from San Francisco State University. He was codirector, then director, of New Langton Arts in San Francisco from 1979 to 1992; chief curator at Yerba Buena Center for the Arts from 1992 to 2004; director of the Nelson Gallery and Fine Arts Collection at UC Davis from 2004 to 2012; and chief curator at the Contemporary Jewish Museum, San Francisco, from 2014 to 2018. Pritikin was a senior adjunct professor in the Graduate Program in Curatorial Practice at California College of the Arts from its inception in 2003 until 2015. He is currently working on a memoir and curating two exhibitions for the Contemporary Jewish Museum for 2020. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554943149953-PIWXO3LSANIB5Q0J3P04/Curatorial-Research-Bureau-People-Daniela-Lieja-Quinatar.png People - Daniela Lieja Quintanar Daniela Lieja Quintanar is a curator at Los Angeles Contemporary Exhibitions (LACE) and works between Los Angeles and Mexico, emphasizing contemporary art and curatorial practices that explore the politics and social issues of everyday life. She is part of the curatorial team of the MexiCali Biennial 2018–19, and was recently awarded the Warhol Foundation Curatorial Research Fellowship. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039257833-EHH8T4K3GLDRBGM66H21/Curatorial-Learning-Bureau-People-Heidi-Rabben.jpg People - Heidi Rabben Curator, The Contemporary Jewish Museum, Director of Programming, San Francisco Art Book Fair, San Francisco, CA; MA Curatorial Practice, 2013 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534385543676-JDOHW0WSVNZOAS4VK5OO/Curatorial-Learning-Bureau-People-Peta-Rake.jpg People - Peta Rake Curator, University of Queensland Art Museum, Brisbane, Australia; MA Curatorial Practice, 2012 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545094386705-1TPWKGBOSE57G03ZSICF/Curatorial-Research-Bureau-People-Richard.jpg People - Frances Richard Frances Richard is the author of three books of poems: Anarch. (Futurepoem, 2012), The Phonemes (Les Figues Press, 2012) and See Through (Four Way Books, 2003). She is co-author, with Jeffrey Kastner and Sina Najafi, of Odd Lots: Revisiting Gordon Matta-Clark’s “Fake Estates” (Cabinet Books, 2005), and editor of Joan Jonas is On Our Mind, a volume of essays on the artist (Wattis Institute, 2017); her book-length study Gordon Matta-Clark: Physical Poetics appears in 2019 from the University of California Press. She is associate editor at Places journal, and teaches at the California College of the Arts in San Francisco. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566231256197-X1JN8BD3OUMFWUS014X4/CRB-People-Sarah-Rifky.png People - Sarah Rifky Sarah Rifky is co-founder of Beirut, an art initiative in Cairo, and founder of CIRCA (Cairo International Resource Center for Art). She has served as artistic director of ArteEast in New York (2017–18), co-curator of Jogjakarta Biennale XII (2013), curator of Townhouse (2009–11), and curatorial Agent for dOCUMENTA(13) (2012). She is co-editor of Thresholds 47: Repeat, Positionen: Zeitgenössische Künstler aus der Arabischen Welt and Damascus: Artists, Tourists and Secret Agents. She is author of The Going Insurrection (2012). Rifky is a Ph.D. candidate in History, Theory and Criticism and the Aga Khan Program for Islamic Architecture at MIT in Cambridge, Massachusetts. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541638197363-1G9NV2KG5SV2IXSP1MHR/Curatorial-Learning-Bureau-People-Leslie-Roberts.jpg People - Leslie Carol Roberts Leslie Carol Roberts, BA Michigan, MFA, Iowa, Fulbright Fellow, is an author, journalist, and essayist. Her book Here Is Where I Walk: Episodes from a Life in the Forest (Nevada, 2019), details more than a decade of walks in the Presidio National Park where she resides as well as walks in Tasmania, Italy, Maryland, and elsewhere, offering a set of John D’Agata (About a Mountain) called “absorbing, funny, tragic, and deeply present ruminations.” She is also professor and chair of the MFA Writing program at California College of the Arts. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578849515386-N0OL7AF1KWTVDZBHWGSG/image-asset.png People - The Rodina The Rodina (Tereza and Vit Ruller) is a post-critical design studio with an experimental practice drenched in strategies of performance art, play and subversion. Both in commissioned work and in autonomous practice, they activate and re-imagine a dazzling range of layered meanings across, below and beyond the surface of design. The Rodina invents ways in which experience, knowledge and relations are produced and preserved. In their work, Tereza and Vit often explore the spatial and interactive possibilities of virtual environments as a space for new thoughts and aesthetics that come forward from between culture and technology The studio specialises in video, user experience, installations, and visual identities. This cross-media approach allows examining communication as thousands of small interactions which leads to actions. In 2015, The Rodina researched performativity within graphic design and coined term “performative design” (in the field of visual communication) which is further described in Action to Surface publication. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533233774553-G7NGBS8CADV2UEVV5DKN/Curatorial-Learning-Bureau-People-Zoe-Ryan.jpg People - Zoë Ryan Zoë Ryan is the John H. Bryan Chair and Curator of Architecture and Design at the Art Institute of Chicago. Her projects include the exhibition In a Cloud, in a Wall, in a Chair: Modernists in Mexico at Midcentury, to open in 2019. In 2017, she co-curated Past Forward: Architecture and Design at the Art Institute and edited As Seen: Exhibitions that Made Architecture and Design History. In 2014, she curated the second Istanbul Design Biennial. Ryan has taught graduate seminars at the School of the Art Institute and the University of Illinois at Chicago. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534467347744-3GSHZU0SM21T3HCO7O3S/Curatorial-Learning-Bureau-People-Sherman-Arden.jpg People - Arden Sherman Director and Curator, Hunter East Harlem, Hunter College, New York, NY; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533617870777-TO5BU3NOAGOVN02CQ80D/Curatorial-Learning-Bureau-People-Jessica-Silverman.jpg People - Jessica Silverman Owner and Director, Jessica Silverman Gallery, San Francisco, CA; MA Curatorial Practice, 2007 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542741380724-0EG5CLNUHSVIJGWEAE1B/Curatorial-Research-Bureau-People-Barbara-Stauffacher-Solomon.jpg People - Barbara Stauffacher Solomon Barbara Stauffacher Solomon is a San Francisco based artist, graphic and landscape designer, and writer. Her work mixes Californian Pop with Swiss Modernism into California Cool. In the 1960s, at The Sea Ranch, she created SUPERGRAPHICS where supersized contentless stripes, arrows, and letterforms fly from one wall to the next to the ceiling to become art people can walk into. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554943150198-KHA11KS4VC0IHV5BOQYY/Curatorial-Research-Bureau-People-Megan-Steinman.jpg People - Megan Steinman Megan Steinman is an independent curator, writer, and producer with over 20 years of experience in the arts, entertainment and culture industries. She is currently the Director of The Underground Museum in Los Angeles. Megan holds a Master of Public Art Studies from the University of Southern California Roski School of Fine Art. She has organized exhibitions, art installations and events at institutions around the world, including Dolby Gallery, Museo Pecci Milano, Sonos Studio Los Angeles, the Santa Monica Museum of Art, District Berlin, ICA Boston, the MAK Center for Art and Architecture, Los Angeles Contemporary Exhibitions (LACE), and the Los Angeles County Museum of Art (LACMA). Megan has written for several artist publications and exhibition catalogs, including Edges of the Experiment by Marie-Josè Jongerius (2014, Fw: Books Amsterdam) and Dance/Draw at ICA Boston (2011, Hatje Cantz). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535244262005-AS23V5OC36XGY2ABKEO6/Curatorial-Learning-Bureau-People-Martin-Strickland.jpg People - Martin Strickland Associate Director of Public Life, Yerba Buena Center for the Arts https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1565486177214-6BU2RHPS1338NNOUYBA9/CRB-People-Liz-Thomas.png People - Elizabeth Thomas Elizabeth Thomas is a curator and writer with primary interest in the production of site-responsive artworks across a range of media. Recently Director of Public Engagement for the Fine Arts Museums of San Francisco, she organized the retrospective Body Radical with Anna Halprin and Ana Prvacki’s Detour. She has a range of institutional experience, as Associate Curator at Carnegie Museum of Art and Curatorial Fellow at Walker Art Center, in addition to freelance projects conceived with the Andy Warhol Museum, MassMoCA, University of Michigan Mueum of Art, Powerhouse Arts, Swissnex, and Fort Mason Center for Arts and Culture. She has taught in CCA’s Curatorial Practice Program for five years, in addition to serving as a guest speaker at institutions ranging from Stanford University to the New School to Mildred’s Lane. She writes frequently for a range of publications, most recently Paper Monument’s As Radical, As Mother, As Salad, As Shelter: What Should Art Institutions Do Now?. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533579158687-OIHUY6OWO48013RAP917/Curatorial-Learning-Bureau-People-Ashley-Stull-Meyers.jpg People - Ashley Stull Meyers Director and Curator, The Art Gym and Belluschi Pavilion, Marylhurst University, Marylhurst, OR; MA Curatorial Practice, 2012 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925211936-A1IZBF4DPBKNJBWS4F35/Curatorial-Learning-Bureau-People-Johanna-Szupinska.jpg People - Johanna Szupinska Senior Curator, California Museum of Photography, University of California, Riverside, CA; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551977271107-BFWEMXU66C0SQ37F7VCM/Curatorial-Research-Bureau-People-Weston-Teruya.jpg People - Weston Teruya Weston Teruya is a Honolulu-born, Oakland-based artist who has exhibited at the Mills College Art Museum, Oakland; Yerba Buena Center for the Arts, San Francisco; Kearny Street Workshop, San Francisco; Longhouse Projects and the New York City Fire Museum, New York; and Atlanta Contemporary Art Center. He has received public art commissions from the San Francisco and Alameda County Arts Commissions. In 2019 Teruya will exhibit at the Mills College Art Museum and have a solo exhibition at the University of Hawaiʻi, Mānoa. He has received grants from Artadia, the Asian Cultural Council, Creative Work Fund, and the Center for Cultural Innovation. He has been an artist in residence at Montalvo Arts Center, Ox-Bow, the de Young, Recology, and Kala Art Institute, and will be at A. Farm in Saigon in 2019. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925207246-THT3N5G742NNVX3CUAR1/Curatorial-Learning-Bureau-People-Rosa-Tyhurst.jpg People - Rosa Tyhurst Independent Curator, San Francisco, CA; MA Curatorial Practice, 2018 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531949191488-63N29QVF3WZROWFPVJ47/Curatorial-Learning-Bureau-People-Orly-Vermes.jpg People - Orly Vermes Collection & Gallery Management Assistant, KADIST San Francisco; MA Curatorial Practice, 2020 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534467301545-KZTXJTWNL6DSIGIBLWQF/Curatorial-Learning-Bureau-People-Anuradha-Vikram.jpg People - Anuradha Vikram Artistic Director, 18th Street Arts Center, Santa Monica, CA; MA Curatorial Practice, 2010 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546802317253-07LEKGF3ONT9E5RV920N/Curatorial-Research-Bureau-People-James-Voorhies.jpg People - James Voorhies James Voorhies is a curator and art historian of modern and contemporary art. He is Director of Curatorial Research Bureau, Chair of the Graduate Program in Curatorial Practice, and Associate Professor of Contemporary Art at California College of the Arts. Prior to CCA, he was Director of the Carpenter Center for the Visual Arts at Harvard University. His practice operates under the name Bureau for Open Culture, and his book Beyond Objecthood: The Exhibition as a Critical Form was published by MIT Press in 2017. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541603819762-J90T3MXHRQDKVUCBLH6Y/Curatorial-Learning-Bureau-People-Wei-Wang.jpg People - Wei Wang Bookshop and Design Coordinator, California College of the Arts https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532925207228-LJRF1G8N7Y0DY5KIB10F/Curatorial-Learning-Bureau-People-Weng-Xiaoyu.jpg People - Weng Xiaoyu The Robert H. N. Ho Family Foundation Associate Curator of Chinese Art, Solomon R. Guggenheim Museum, New York, NY; MA Curatorial Practice, 2009 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532636815273-50E0ZHKDRXS9PR9R7TLA/Curatorial-Learning-Bureau-People-Nancy-Zastudil.jpg People - Nancy Zastudil Owner and Director of Central Features Contemporary Art, and Administrative Director of the Frederick Hammersley Foundation, Albuquerque, NM; MA Curatorial Practice, 2007 https://www.curatorialresearchbureau.org/courses daily 0.75 2020-01-14 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531950485730-4IBKLRGCTYW6IXJEPH70/Curatorial-Learning-Bureau-Pedagogy-2018-19-Talking-Contemporary-Art.jpg Courses - Talking Contemporary Art This graduate seminar presents a survey of practices related to contemporary art and exhibition making. It is organized to provide valuable context, framework, and history for students studying fine art, curatorial practice, film, theory, and writing. Students engage with a recent critical discourse in contemporary art, representing a broad range of strategies for cultural production. Classes have visiting practitioners, area field trips, and student-led discussions with readings. Professor: Christina Linden Convenes: Wed, 8:30–11:30 am CCA Enrollment: Talking Contemporary Art (CURPR-630) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531950485730-4IBKLRGCTYW6IXJEPH70/Curatorial-Learning-Bureau-Pedagogy-2018-19-Talking-Contemporary-Art.jpg Courses - Talking Contemporary Art This graduate seminar presents a survey of practices related to contemporary art and exhibition making. It is organized to provide valuable context, framework, and history for students studying fine art, curatorial practice, film, theory, and writing. Students engage with a recent critical discourse in contemporary art, representing a broad range of strategies for cultural production. Classes have visiting practitioners, area field trips, and student-led discussions with readings. Professor: Christina Linden Convenes: Wed, 8:30–11:30 am CCA Enrollment: Talking Contemporary Art (CURPR-630) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531950936372-J0KMATMYVIG6T73MD2US/Curatorial-Learning-Bureau-Pedagogy-2018-19-Exhibition-Form.jpg Courses - Exhibition Form This seminar takes up a series of case studies in order to consider the ways in which exhibitions make history and define creative fields. The course introduces students to a variety of formats for curating, including museum and gallery exhibitions, biennials, blogs, collection installations, performance, discursive events, curatorial texts, and catalogs. Readings, in-class lectures, discussions, and assignments encourage critical reflection on theme, thesis, juxtaposition, and association, as well as logistical, intellectual, and political aspects of making, viewing, and inserting work and ideas into the public realm. Professor: Christina Linden Convenes: Tue, 12–3 pm CCA Enrollment: Exhibition Form (CURPR-604) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531951069796-9QE40MDWEAOXTJZ2M731/Curatorial-Learning-Bureau-Pedagogy-2018-19-Art-and-Experiences.jpg Courses - Art and Experiences Emphasizing firsthand encounters with artworks through visits to local collections and current exhibitions, this seminar imparts techniques of formal observation, conceptual understanding, and verbal argumentation about individual works of art. Through constant engagement with a range of art objects, students will establish a familiarity with the tools of both textual and verbal art analysis, and the confidence to share this knowledge through public address. Professor: Dena Beard Convenes: Thu, 12–3 pm CCA Enrollment: Art and Experiences (CURPR-605) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532376432139-CGI3K4OL29F7U9ESPG8H/Curatorial-Learning-Bureau-Pedagogy-Exhibition-Project.jpg Courses - Exhibition Project 1 This course is the first in a two-part seminar extending over both semesters of the second year of graduate studies in curatorial practice, culminating in the production of a thesis exhibition. Through readings, visits to exhibitions, and discussions with faculty (including the program’s Curator-in-Residence) about current discourses and topics in contemporary art and curating, students develop a proposal for an exhibition and public program for presentation at CCA’s Wattis Institute for Contemporary Arts in April 2019. Professor: James Voorhies Convenes: Wed, 12–2 pm, and by arrangement with professor CCA Enrollment: Exhibition Project 1 (CURPR-624) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531952591869-DXAXGSF3H56EXR5DGY6J/Curatorial-Learning-Bureau-Pedagogy-2018-19-the-art-of-criticism.jpg Courses - The Art of Criticism Why are you here? What are you values, your ethics, your politics, your agendas, your limitations, your beliefs, your blind spots, your fears, your loves? These are big and changeable areas for investigation — people spend their whole lives tangling and untangling their answers. If these people are writers, they do it, in part, on the page. And for the purposes of this course, you are all writers; your subject is art, which, really, means the world. Criticism is a powerful, deeply human tool; i.e. flawed and fraught and full of contradictions. It is also an art form in its own right. Let’s explore. Professor: Claudia La Rocco Convenes: Tue, 4–7 pm CCA Enrollment: The Art of Criticism (CURPR-628) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531182558770-XYVH1AW17SVA1XOCL4LS/Curatorial-Learning-Bureau-Pedagogy-Contemporary-Art-History.jpg Courses - Contemporary Art History and Theory This course is a series of lectures exploring diverse episodes in art since 1960. Both art historical and discursive in nature, the course offers incoming students a body of shared knowledge and common language for talking about contemporary art. The course presents an array of ideas, artists, artworks, and theoretical frameworks with particular focus on how artworks of various media are engaged with their social, political, and cultural contexts. Team-taught by CCA faculty, each class consists of a 90-minute lecture, followed by hour-long discussion sessions among smaller groups of students and faculty. Professors: Nil Bayraktar, Karen Fiss, and Frances Richard Convenes: Thu, 8:30–11:30 am Location: Timken Lecture Hall, CCA SF campus CCA Enrollment: Contemporary Art History and Theory (FINAR 600) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531952313050-SORMH84VDZL76QM4BJSI/Curatorial-Learning-Bureau-Pedagogy-2018-19-Artists-and-Designers.jpg Courses - Artists and Designers: Publishing as Practice This course is a practicum concentrated on real-world engagement with artists, with a focus on the formats of the studio visit and the interview. Students conduct, document, and present studio visits and interviews with artists, with a view to accumulating a substantial body of knowledge about contemporary artistic practice. Professor: Michele Carlson Convenes: Tue, 1–4 pm Location: Room GC12, CCA SF campus CCA Enrollment: Artists and Designers (CURPR-606) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532376214248-SW7EBCEUW0UMX1QLVRLT/Curatorial-Learning-Bureau-Pedagogy-Exhibition-Design.jpg Courses - Exhibition Design This class positions exhibition-making as an interdisciplinary practice that lies at the heart of institutional design and programming. In addition to surveying the contemporary landscape of institutional structures, students will engage in the discourse around exhibition design and undertake collaborative, project-based opportunities to develop installation strategies, as well as consider techniques of visual and spatial design across all aspects of an exhibition’s manifestation, from display furniture and materials to the catalogue and publication. Professor: Sara Dean Convenes: Mon, 12–3 pm CCA Enrollment: Exhibition Design (CURPR-615) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532376087246-FHV5CK8PGBDYWOWGUZGF/Curatorial-Learning-Bureau-Pedagogy-Global-Art-Worlds.jpg Courses - Global Art Worlds Through selected readings and discussions, this seminar course includes critical analyses of artworks and exhibitions from late modernism to the present by artists and curators whose practices engage with questions of nation-state, immigration, and colonialism. The course includes close studies of recent editions of perennial exhibitions—such as documenta and Skulptur Projekte Münster—organized by institutions in the West with satellite or branch components in non-Western parts of the world. Overall, studies in this course seek to define an aesthetic of the colonial in contemporary artistic practices and exhibitions in order to consider the efficacy of critical positions within the context of globalized contemporary art and visual culture. Professor: Christina Linden Convenes: Tue, 8:30–11:30 am CCA Enrollment: Global Art Worlds (CURPR-602) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532889159879-XP6K8MAVTNS7QQH4A0G2/Curatorial-Learning-Bureau-Pedagogy-Exhibition-Project-2.jpg Courses - Exhibition Project 2 In this second of a two-part seminar extending over both semesters of the second year of graduate studies in curatorial practice, students focus on the production and final realization of an exhibition and public program for presentation at CCA’s Wattis Institute for Contemporary Arts in April 2019. Having developed and refined much of the content during the first semester, this course concentrates on practicalities of form, design, communication, marketing, printed matter, and documentation related to their culminating thesis exhibition. Stewarded by the director of the course and the program’s curator-in-residence, students gain firsthand experience in both conceiving an exhibition and inserting it into the public realm. Professor: James Voorhies Convenes: Wed, 12–2 pm, and by arrangement with professor CCA Enrollment: Exhibition Project 2 (CURPR-626) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1567625520124-AWKCM08P24NBPYT8YU8R/Exhibition-Form.png Courses - Exhibition Form Exhibition Form surveys the history of exhibitions and museums, paying critical attention to the evolution and invention of institutional and exhibition forms, as well as the changing nature of the curator over recent decades. This semester the course focuses on transformations in the field of exhibitions between 1989 and 2001, examining eight case studies that argued for artists previously discounted by Western institutions and historical narratives, that experimented with exhibition forms, and that produced a new geography of the field of art. Professor: J. Myers-Szupinska Convenes: Tue, 12–3 pm CCA Enrollment: Exhibition Form (CURPR-6040-1) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566931891036-FOQW373JFYKOQ77FSH4U/2019-Fall-Curatorial-Research-Bureau-Pedagogy-Art-and-Experiences.png Courses - Art and Experiences Emphasizing firsthand encounters with artworks through visits to local collections and current exhibitions, this seminar imparts techniques of formal observation, conceptual understanding, and verbal argumentation about individual works of art. Through constant engagement with a range of art objects students will establish a familiarity with the tools of both textural and verbal art analysis, and the confidence to share this knowledge through public address. Professor: Dena Beard Convenes: Mon, 9–12 pm CCA Enrollment: Art and Experiences (CURPR-6050-1) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566932126513-IIC5DQ1HRYZGBVQUZB3F/2019-Fall-Curatorial-Research-Bureau-Pedagogy-Exhibition-Project-R%26D-1.png Courses - Exhibition Project: R&D 1 This is one of four courses devoted to the realization of the collaborative exhibition project. Students work together to research, develop and present an exhibition, as well as produce a related catalogue and interpretation program. The theme or idea for the project, as well as the working process will be developed collectively. Each student will then fulfill a practical role in the production of the exhibition and catalogue. Professor: Christina Linden Convenes: Mon, 9–12 pm Location: YBCA Lounge, 2nd floor CCA Enrollment: Exhibition Project: R&D 1 (CURPR-6200-1) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566932254073-WEHI5NDILMJGFOSMTQTT/2019-Fall-Curatorial-Research-Bureau-Pedagogy-Exhibition-Project--Org-1.png Courses - Exhibition Project: Org 1 This is the second of four courses, in which students work together to research, develop and present an exhibition, as well as produce a related catalogue and interpretation program. This class will focus particularly on the logistical aspects of organizing the exhibition as well as producing the exhibition catalogue. Professor: Christina Linden Convenes: Mon, 2–5 pm CCA Enrollment: Exhibition Project: Org 1 (CURPR-6220-1) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566932840942-CQVNG4SH5O0UGFP545S0/2019-Fall-Curatorial-Research-Bureau-Pedagogy-The-ARt-of-Criticism.png Courses - The Art of Criticism This course engages with curatorial writing through a spectrum of approaches and practices circulating in contemporary art discourse. Weekly exercises and discussions will survey and develop texts with a critical eye towards the expression of clarity and significance in art writing. For each form under examination (whether wall texts, catalogue essays, exhibition reviews, etc.) emphasis will be placed on the development of tools and techniques for the judgment and criticism of contemporary art, among them - evaluation, self-reflexivity, and experimentation. Professor: Glen Helfand Convenes: Tue, 4–7 pm CCA Enrollment: The Art of Criticism (CURPR-6280-1) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566932734199-NYC0NDDHLBTAPIQNSL8D/2019-Fall-Curatorial-Research-Bureau-Pedagogy-Talking+Contemporary+Curating.png Courses - Talking Contemporary Curating This seminar presents a critical survey of practices and discourse related to contemporary art and curatorial practice in the SF Bay Area and beyond. It is organized to provide useful context, framework, and history for student artists, designers, curators, theorists and critics alike. Students engage with a curators, artists, ideas, and exhibitions that represent a broad range of strategies for cultural production. Classes will include guest lecturers, local field trips and a student-led discussion series with readings. Professor: Liz Thomas Convenes: Wed, 10 am–1 pm CCA Enrollment: Talking Contemporary Curating (CURPR-6300-1) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1567625469564-QCF5BCL53WDFQ06QYHX9/Thesis-Project-1.png Courses - Thesis Project 1 Thesis Project 1 is a guided seminar devoted to the self-directed production of new research and writing in the fields of contemporary art, curating, and exhibitions. This year’s projects focus on the complexities of curating underground culture in the context of Pacific Standard Time: LA/LA, the aesthetics and politics of Etel Adnan’s poem-drawings, and on Charles Gaines’ artist-curated exhibition The Theater of Refusal: Black Art and Mainstream Criticism. Professor: J. Myers-Szupinska Convenes: Tue, 8:30–11:30 am CCA Enrollment: Thesis Project 1 (CURPR-6340-1) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1567272023977-6V5FLJMAKADT8E12SPW6/2019-Fall-Curatorial-Research-Bureau-Pedagogy-Contemporary-Art-History-and-Theory.png Courses - Contemporary Art History and Theory This course is a series of lectures exploring diverse episodes in art since 1960. Both art historical and discursive in nature, the course offers incoming students a body of shared knowledge and common language for talking about contemporary art. The course presents an array of ideas, artists, artworks, and theoretical frameworks with particular focus on how artworks of various media are engaged with their social, political, and cultural contexts. Team-taught by CCA faculty, each class consists of a 90-minute lecture, followed by hour-long discussion sessions among smaller groups of students and faculty. Professors: Jordan Kantor, Beth Mangini, Karen Fiss Convenes: Thu, 12–3 pm Location: Timken Lecture Hall, CCA SF campus CCA Enrollment: Contemporary Art History and Theory (FINAR-600) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1579018970417-S3PFQ2VZXSQB0Q5568GR/image-asset.png Courses - Global Art Worlds Documenta 11, curated by the first non-Western director, Okwui Enwezor, in 2002, serves as the departure point for a study of activity in exhibitions, institutions, and publications around the globe in order to define and analyze situations wherein the contemporary art world of the West has influenced an aesthetic of the postcolonial. Students are introduced and become familiar with a discourse surrounding a selection of international exhibitions, institutions, and publications in order to articulate and traces situations in art over the past two or more decades where postcolonialism is increasingly aestheticized, from the art presented at major international exhibitions to the work seen at smaller institutions and informal arts initiatives. Professor: James Voorhies Convenes: Tue, 8:30–11:30am Location: Curatorial Research Bureau CCA Enrollment: CURPR 6020-2 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578957639328-UTZYLFGZL4SWGEP5YYCT/image-asset.jpeg Courses - Artists and Designers This course considers critical strategies of writing as a profession, focusing largely on the dynamic and creative sphere of arts publishing. Studies focus on the state of the field by assessing art writing and criticism from the site of diverse publications in print and online art journals, newspapers, blogs, and magazines. Special attention is paid to thinking expansively about where art writing and criticism can “live” and the many forms it can take from a zine, graphic novel, infographic, and video, to a meme, creative writing, poetry, or social media. Students conduct, document, and present studio visits and interviews with artists, with a view to accumulating a substantial body of knowledge about contemporary artistic practice. Professor: Frances Richard Convenes: Tue, 12–3 pm Location: Curatorial Research Bureau CCA Enrollment: CURPR 6060-2 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578957830566-Y9TPZDHKESPX4PVE5QUL/image-asset.jpeg Courses - Exhibition Design This class positions exhibition making as an interdisciplinary practice, that lies at the heart of institutional design and programming. In addition to surveying the contemporary landscape of institutional structures, students will engage in the discourse around exhibition design, and undertake collaborative, project-based opportunities to develop installation strategies, as well as to consider techniques of visual and spatial design across all aspects of an exhibition's manifestation, from display furniture and materials, to the catalogue and publication. Professor: Christopher Hamamoto Convenes: Wed, 4–7 pm Location: Curatorial Research Bureau CCA Enrollment: CURPR 6150-3 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578958114949-1XGGT61OFTO6HB5AD9RB/image-asset.png Courses - Thesis Project 2 The thesis is an extended essay in an area of independent research that relates to current art practice. This seminar provides sustained practical and theoretical support to develop the skills through which to write a thesis. Professor: J. Myers-Szupinska Convenes: Tue, 12–3 pm Location: CCA SF Campus, Room GC12 CCA Enrollment: CURPR 6400-1 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578958300549-JXGSEW38M16OTA92GJPZ/image-asset.png Courses - Exhibition Project: R&D 2 Students continue to work together on the organization and presentation of their thesis exhibition, as well as related catalogue and interpretation program. This class supports the compilation and collation of materials for the exhibition publication, and each student will fulfill one or more roles related to the process of producing the publication. Professor: Christina Linden Convenes: Thu, 1–4 pm Location: Curatorial Research Bureau CCA Enrollment: CURPR 6240-1 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578958417858-3BSX36ANHJNIOQ2X4QSQ/image-asset.png Courses - Exhibition Project: Org 2 Students continue to work together on the organization and presentation of their thesis exhibition, as well as related catalogue and interpretation program. This class supports the organizational and logistical aspects of the process, and each student will fulfill one or more roles related to the process of presenting the exhibition. Professor: Christina Linden Convenes: Thu, 9 am–12 pm Location: Curatorial Research Bureau CCA Enrollment: CURPR 6260-1 https://www.curatorialresearchbureau.org/programs daily 0.75 2020-01-12 https://www.curatorialresearchbureau.org/programs/2019/crb-archive monthly 0.5 2019-11-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1573511856222-1TLL8LVSXO3JJ92JV5Y2/Curatorial-Research-Bureau-Program-Archive.png Programs - CRB Archive: Photos and Videos of Past Programs https://www.curatorialresearchbureau.org/programs/2018/afterword-shahryar-nashat monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531063700260-PQYELWV97BVC2U53ZU6S/Shahryar+Nashat+Install+04.jpeg Programs - Shahryar Nashat Shahryar Nashat, Image Is an Orphan, 2018. Installation view: David Kordansky Gallery. Courtesy of the artist and David Kordansky Gallery, Los Angeles. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537449865240-325GS9CJS4168UQAPJSW/IMG_3419.JPG Programs - Shahryar Nashat https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537449876902-12WV3CAAXON7OLUMH3WP/IMG_3427.JPG Programs - Shahryar Nashat https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537449896403-OGRUWA83R8KQEPMMP29D/IMG_3444.JPG Programs - Shahryar Nashat https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537449905624-79N0VRB3WTI2H6J90C42/IMG_3467.JPG Programs - Shahryar Nashat https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533219582786-MVMWPXQWTYVVDBG70DNW/Curatorial-Learning-Bureau-Program-Shahryar-Nashat.jpg Programs - Shahryar Nashat https://www.curatorialresearchbureau.org/programs/2018/call-and-response-take-part-bik-van-der-pol monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1536876850982-IQOKXR7ZKZFQFJDUQEJI/PD_5190_Pos+%281%29.jpg Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450513267-ZDV91W00X1Y6ICU0MO5T/IMG_5377.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450513192-Q3BAEC16689KGV3K8L3Z/IMG_5382.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450516166-5UJD6R3TBX54GEA0LJBP/IMG_5383.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450516054-F2YSC58LMQXQ95KHN8D5/IMG_5385.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450517669-OD7BMQ68CSBR6BI5O4KP/IMG_5387.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450517719-R23LKDUQHG37WTJZ0D1C/IMG_5391.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450520839-3TWPC4WXH5HHWPW9WIA9/IMG_5392.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450523788-T3NMYNK488XBSNI3QU8J/IMG_5393.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450524871-NKRGRDEW30DBQ62HJYPD/IMG_5394.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450527525-TUVQ3ARLL3UX0SGVK2UX/IMG_5398.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450530669-9H1G7EDRRYKPW09MP45W/IMG_5399.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450531896-I869SEF9GSK5PCDNQY6T/IMG_5400.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450531975-0ZZ2SDU7J28VANPWB0UO/IMG_5401.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450532818-GH4NKBRKWQVC5DIRJBC8/IMG_5402.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450532943-W9JJBM6KSPG8HAKFEI6E/IMG_5403.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450538733-PCXPIYJK9KU3ELWFOAU4/IMG_5405.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450538986-FTK6T3UJGID244QA9CXQ/IMG_5408.JPG Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1536028110571-4RFKP37CCQ3HOHXML5YK/Curatorial-Learning-Bureau-Program-Bik-van-der-Pol.jpg Programs - Bik Van der Pol—TAKE PART: Is There Room for San Francisco in San Francisco? https://www.curatorialresearchbureau.org/programs/2018/crb-grand-opening monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580353417-I9DI1V5TI9EHPV8BIWGA/IMG_6715.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580353556-GR9JX5WT4ZW5PAPJK1O8/IMG_6728.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580104037-BX1M0SHW7GAXO9GGP3DH/IMG_3741.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580111360-UPIBJHAR3BJBOGZMXH8E/IMG_3730.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580082637-08AI0SM67S7ECG69911S/IMG_3738.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580111291-PY5QEITTTAD8K31K8BL3/IMG_3743.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580103695-5GJCL4T7KC7UEGZSWQWD/IMG_6743.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580119002-UF5GQSPLZBGA22S03AM3/IMG_2008.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580125387-RIDLBNDVDCCGJ1R3E61H/IMG_3728.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580124683-EQ0TM0BSIWR495EG9TMI/IMG_3737.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580118938-N2625VFAAM64SE023S3E/IMG_3758+3.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580094950-3M25L83YNGWOITL8O80E/IMG_3748.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580093999-LONH1WM3JYJ1KKGD0FIK/IMG_3765.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580073583-ADM736CORSQWCH7JGLL1/IMG_3762.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580073717-X29K822ZJJMCXPKLGZEW/IMG_6755.JPG Programs - CRB Grand Opening! https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534384638217-HGSI8OKG7XNSVHPLTKZL/Curatorial-Learning-Bureau-Program-GrandOpening.jpg Programs - CRB Grand Opening! https://www.curatorialresearchbureau.org/programs/2018/case-studies-marianne-wex monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041683482-GS85URGR8SVV0ITGZDSB/IMG_5775.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535984482230-2Y29TT3PF3K699LB860Z/eel+in+bag+.jpg Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Eline Mugaas and Elise Storsveen. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040715363-YUQOBLFDWPZ4NI9367MA/IMG_5717.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040265721-PLHYR3XVHZ2JBKV8D54G/IMG_5646-001.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Cover: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040272011-NIMI4RLLS3QQA92YLMCN/IMG_5647.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040428865-R5MM6ZT5WCUN7C0W1Y4Q/IMG_5650.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040484902-7BSX0TQGTY5O6AKY6CDQ/IMG_5651-001.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535984509824-PXVFZ7IJR5BIWYB7H09Y/IMG_5726.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ ALBUM #10. Fanzine by Eline Mugaas and Elise Storsveen. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040181823-DDZMDLCNPW2WXEOLWZUO/IMG_5639.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Cover: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039991312-23OK7G1HYE6QWI99YFE5/IMG_5534.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041745896-2NWETYN9ENPZ57QGWY06/IMG_5778.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039844554-2865YS4WR7709MX9FTJI/IMG_5530.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040087550-Z5B24JJWD3TSICRIX3GD/IMG_5638.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Cover: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040108214-WB6GJ7S4BE0VZEHIV1HA/IMG_5536.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039722148-QKX25DD6CJR0TL6OX0IO/beeld_musee.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ André Malraux while working on his book Lemusée imaginaire de la sculpture mondiale, based on the premise of the musée imaginaire, or the imaginary museum, 1954. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041739618-2OPPJB5P2YBZJALJUJDJ/IMG_5777.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040631388-GBNUM5YP2YQJWIBB0EU8/IMG_5719.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040852014-OSJMRNSDPM9KAA2TGT8W/IMG_5720.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040871911-9HHGQ0HZ30WFRGN17TJL/IMG_5721.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041674959-ULRLZ4HPLB7B82OYF16W/IMG_5774.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537449329936-RB4ZYHH9G8FGYUKVEI7P/IMG_5931.jpeg Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Postcard of photograph by Wolfgang Tillmans titled Caravaggio (1997). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040495295-X9WHXYO1TYZAZZA9LV4B/IMG_5674.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Cover: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040346302-DLFO0GJIMG6WRGVC2HC9/IMG_5648.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535048019472-VCDX78SSASW0UR0FWNGC/IMG_5696.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Cover: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039723239-LR9CQ9CNV6R8J4OVNYYO/IMG_5518.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039845146-3QXI5I5UWUTEW3CBUZYL/IMG_5529.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040016942-KZCHYU9ZG5MQAJBOS17H/IMG_5535.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039774968-ZKO4JFK98WGWEHTVZOZ9/IMG_5520.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041002577-VH26DQF8ZXMMNU2PRTDV/IMG_5724+copy+2.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039753480-WN69NXBF1X1P2NR769SP/IMG_5519.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040192691-WFCFPDVRCGJDUUAF1R8I/IMG_5640.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041506207-SPA3J3GPWB8IPJDR0GZE/IMG_5731.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041017677-WTORPMVNZJRDUJG2V1EK/IMG_5725.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Detail: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041277397-CBL559CCC8H915OYBYLM/IMG_5762.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1536244304394-PRU787HPV93T7L10DWHU/imageedit_7_3352832406.png Programs - Marianne Wex: ‘Let’s Take Back Our Space’ https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535042281685-2ZFDJ47YGULGOPRPZ6V0/IMG_5729.JPG Programs - Marianne Wex: ‘Let’s Take Back Our Space’ https://www.curatorialresearchbureau.org/programs/2018/call-response-barbara-pollack monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533223979253-U09KQ1KK3J2EIC43A3LF/Curatorial-Learning-Bureau-Program-Barbara-Pollack.jpg Programs - Barbara Pollack—Brand New Art from China: A Generation on the Rise https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533224353485-ABW3ANY71D1MRDRWP3BO/21.+Jin+Shan_Nowhere+%28detail%29%2C+2015.jpg Programs - Barbara Pollack—Brand New Art from China: A Generation on the Rise Jin Shan, Nowhere (detail), 2015. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539114100047-QP64CFOAB3GMDGU7C6Q6/IMG_3856.JPG Programs - Barbara Pollack—Brand New Art from China: A Generation on the Rise https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539114068017-P9WRZ2FWRBKOECPQ1FX5/IMG_6327.JPG Programs - Barbara Pollack—Brand New Art from China: A Generation on the Rise https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539114029036-0I4LCXN3VOPVW7900DIX/IMG_3875.JPG Programs - Barbara Pollack—Brand New Art from China: A Generation on the Rise https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539113989114-DNF82JJOLPMD5K989ZIP/IMG_3866.JPG Programs - Barbara Pollack—Brand New Art from China: A Generation on the Rise https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539113967028-W1XCXD6VWPSOC7KR0L9C/IMG_3873.JPG Programs - Barbara Pollack—Brand New Art from China: A Generation on the Rise https://www.curatorialresearchbureau.org/programs/2018/open-seminar-amanda-hunt monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533224621243-S9GH5K8F4XGCOL7KK2S1/Curatorial-Learning-Bureau-Program-Amanda-Hunt.jpg Programs - Amanda Hunt https://www.curatorialresearchbureau.org/programs/2018/special-event-simon-fujiwara monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533218699147-NVV0A3U4GHDO6M0N09AN/Curatorial-Learning-Bureau-Program-Fujiwara.jpg Programs - Experience It: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533438942549-522OMEUNN0YD2BWYJO7C/SimonFujiwara_EDITED.jpg Programs - Experience It: Simon Fujiwara Simon Fujiwara: Joanne, 2016, mixed media installation with video projection (duration: 13:34 min., dimensions variable). Installation view: The Photographers’ Gallery, London. Courtesy of the artist and Esther Schipper https://www.curatorialresearchbureau.org/programs/2018/afterword-simon-fujiwara monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533438942549-522OMEUNN0YD2BWYJO7C/SimonFujiwara_EDITED.jpg Programs - Simon Fujiwara Simon Fujiwara: Joanne, 2016, mixed media installation with video projection (duration: 13:34 min., dimensions variable). Installation view: The Photographers’ Gallery, London. Courtesy of the artist and Esther Schipper https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533218699147-NVV0A3U4GHDO6M0N09AN/Curatorial-Learning-Bureau-Program-Fujiwara.jpg Programs - Simon Fujiwara https://www.curatorialresearchbureau.org/programs/2018/case-studies-absent-museum monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538426202909-NE9JTRIEDZKHQEYSVL6L/CRB-Program-Intro-Image-The-Absent-Museum.jpg Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529146422-PW1I5QRNSCPE0SGCDRU3/IMG_6280.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Manuel Borja-Villel, “Towards a Museum of the Common,” 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529199376-5B0H0XFGN9GQEV461D9H/IMG_6282.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Mekhitar Garabedian, Fig. a, a comme alphabet (ayppenkeem), 2009–ongoing, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529286188-YHBE0AB293C114MEY22H/IMG_6283.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Carsten Höller, Bart Brinckman,“The King is back. Not a single opposing vote,” De Morgen, 6 April 1990, 2001/2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529242878-9QQQBX7A2WFH6QEFYZP8/IMG_6284.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Jo Baer, Tis Ill Pudding in the Cockatrice Den (Là Bas), 1987, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529323198-9TJYPJ7379SKXSVC49B9/IMG_6285.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Ellen Gallagher, Dr. Blowfins, 2014, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529388946-6QTM4SFOFR1OOW11IHC4/IMG_6286.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Goshka Macuga, Before the Beginning and After the End: Transhumanism, 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529418223-JNM3CCF4M198A1VAM5I4/IMG_6287.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Oscar Murillo, Human Resources, 2016, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529445243-6RTHR9UGCRRQNO3BUFGM/IMG_6288.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Otobong Nkanga, Queen of the Night, 2014, and Forget Me Not, 2016, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529487680-VII50SSITLG6M09G79OV/IMG_6289.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529518076-LJU5NF2S4L0IKKZL74PC/IMG_6290.JPG Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe Lili Reynaud-Dewar, Small Tragic Opera of Images and Bodies in the Museum, 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538528541656-8OE4BDRCC5Y47NT2K9DQ/The+Absent+Museum+at+CRB.jpg Programs - The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe https://www.curatorialresearchbureau.org/programs/2018/call-response-zoe-ryan monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541641200545-AEPVXQPHE7J6JW9TXK4E/01.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316534171-EO3O6LWLJ0TKJ8RDQRQH/03.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316418007-A1883ON1OBHILJ37LP09/02.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316854464-WJ7O26UIFW017DNVX2WL/08.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316650210-JXKUBUJM6120X3ZUQAQX/05.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316540834-9FMKN8RNJR6EMNEJ4CVE/04.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316650916-4S6SIN8I6114IE6EXUUY/06.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316772297-QLHG8WLNYFIZV00QQZTZ/07.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542317032255-VULD37WJBV6PDCM6RMNO/09.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541641410326-EMVN1JWV8MQ7XO3C0YZ1/12.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316883968-1RJ2Q6S5S29ACAG1ULMV/11.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316948383-4188WFQW0Y2IH7ALVTWJ/13.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542317001994-LX3KXY13G87ZRV0OBVCQ/10.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533233868962-L43P6CTNVC3D60TXEU6L/Curatorial-Learning-Bureau-Program-Zoe-Ryan.jpg Programs - Zoë Ryan—Taking Positions: Making Architecture and Design Exhibitions https://www.curatorialresearchbureau.org/programs/2018/call-response-constance-hockaday monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534339814110-IWGHNJ6M3P017J8KJF5K/Curatorial-Learning-Bureau-Program-Constance-Hockaday.jpg Programs - Between You & Me: Constance Hockaday and Laurel Braitman https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1536878068899-0H4NE7O7N1FROJGUVSNW/Curatorial-Learning-Bureau-Program-Laurel-Braitman.jpg Programs - Between You & Me: Constance Hockaday and Laurel Braitman https://www.curatorialresearchbureau.org/programs/2018/special-event-rosa-barba monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539790802821-A415SJ1EBU2H5K69MLCY/Rosa+Barba.jpg Programs - Experience It: Rosa Barba Rosa Barba, Solar Flux Recordings, 2017; metal, color glass filters, and engraved plates. Installation view, Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofía, Madrid. Photo: Joaquín Cortés / Román Lores © Rosa Barba https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539791109862-UM9ZQ6XEHELWR9B5THJX/Curatorial-Learning-Bureau-Program-Barba.jpg Programs - Experience It: Rosa Barba https://www.curatorialresearchbureau.org/programs/2018/afterword-rosa-barba monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533169919282-IKPBICSI1SK85KWIFH1K/Curatorial-Learning-Bureau-Program-Barba.jpg Programs - Rosa Barba https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532022493588-KM0MHDFJ85GKC6KWU0WO/Barba_MG_9109.jpg Programs - Rosa Barba https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532022324217-QIZ0M4GWQA89W1HM8UQQ/Barba_X9A3829.jpg Programs - Rosa Barba Rosa Barba: From Source to Poem to Rhythm to Reader, 2017. Installation view: Pirelli HangarBicocca, Milan. Photo: Agostino Osio © Rosa Barba https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532022756988-3PQOIPZS69JH05KSXFKL/Barba_MG_7818.jpg Programs - Rosa Barba Rosa Barba, Solar Flux Recordings, 2017; metal, color glass filters, and engraved plates. Installation view, Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofía, Madrid. Photo: Joaquín Cortés / Román Lores © Rosa Barba https://www.curatorialresearchbureau.org/programs/2018/open-seminar-shoghig-halajian monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533233342062-H179BCFFFZ50MD7N5RBK/Curatorial-Learning-Bureau-Program-Shoghig-Halajian.jpg Programs - Shoghig Halajian https://www.curatorialresearchbureau.org/programs/2018/case-studies-janet-delaney-south-of-market monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543462271135-0U792VRPAEJ6OMRXK919/IMG_4195%2Blowerres.jpg Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118181672-1T4TUXYKZK1DD3N52ECF/IMG_4196.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118231445-DVHQS591EWNQMJZQJNG1/IMG_4197.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118284698-G9A31MX6HYOSGEJU7VCB/IMG_4198.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118336165-5ABSWVSEDGF7PBW214MY/IMG_4199.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118371041-9RMXRNSG898HC6V28WMM/IMG_4200.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118400215-30Q44I04FYB32SO2HJ79/IMG_4201.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118553541-0M4I7RVYVBGWWZ669RFY/IMG_4202.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118622995-ZUVO1WHNBH5GOAARRGYD/IMG_4203.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118900486-NGPKN96FMG24IEMFNHK9/IMG_4204.JPG Programs - Janet Delaney: South of Market https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541119403940-V2P9XAH7F6MX7FED56HT/wall.jpg Programs - Janet Delaney: South of Market https://www.curatorialresearchbureau.org/programs/2018/call-response-leslie-roberts monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541639267327-F12HEALP7AKZA9BE8L4M/Curatorial-Learning-Bureau-Program-Leslie-Roberts.jpg Programs - Here Is Where I Walk: The Walk as Re-creation in the City https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542156941993-WKEB03W0QKPVZS4EHW44/roberts-cover.jpg Programs - Here Is Where I Walk: The Walk as Re-creation in the City https://www.curatorialresearchbureau.org/programs/2018/special-event-open-house monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545083030276-V9EYBIQB05ZLQPS91726/edit-1849.jpg Programs - Open House for Prospective Grad Students https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545083351459-JZH130V47XLD2ABXYJCT/IMG_3419.jpg Programs - Open House for Prospective Grad Students https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545083810770-6O6G6O93TMBPO37BW0VU/edit-1874.jpg Programs - Open House for Prospective Grad Students https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545083926342-GNIODZR15RC7NU2QE801/01.jpg Programs - Open House for Prospective Grad Students https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545084405151-NTG97ZEDA7ROMLOHXP0P/6-2.jpg Programs - Open House for Prospective Grad Students https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545148362373-5YWD5X91HTSYDAAK21LH/Curatorial-Research-Bureau-Program-openhouse.jpg Programs - Open House for Prospective Grad Students https://www.curatorialresearchbureau.org/programs/2018/case-studies-aleksandra-mir-corporate-mentality monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543938434174-DPYG4P7JG1GUS4PU2PD6/DSC00080.JPG Programs - Aleksandra Mir: Corporate Mentality https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596334577-8HZR3BPUXNO91IOMUH45/IMG_4491.JPG Programs - Aleksandra Mir: Corporate Mentality - Superflex https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543595712590-956ACPHHICIL7APV31YJ/IMG_4500.JPG Programs - Aleksandra Mir: Corporate Mentality - Kathrin Böhm/Stefan Saffer https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543595863912-4OHEUJBYHXYRHDKMB71I/IMG_4499.JPG Programs - Aleksandra Mir: Corporate Mentality - Henrik Schrat https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543595920889-TIEHCT6BBTKB9PO7U6UQ/IMG_4498.JPG Programs - Aleksandra Mir: Corporate Mentality - Starbucks Performance Art Series https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596038460-72KQLI86J4ESCFCIWBW9/IMG_4497.JPG Programs - Aleksandra Mir: Corporate Mentality - Purple Institute https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596025380-ZWI7D9ITYL9U7JTD43WM/IMG_4493.JPG Programs - Aleksandra Mir: Corporate Mentality - Andrea + Philippe https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596164798-ZU14ZBGL1KXEYLPQ92MV/IMG_4496.JPG Programs - Aleksandra Mir: Corporate Mentality - Bernadette Corporation https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596203036-5HPXNTN99023K2ROXYY1/IMG_4495.JPG Programs - Aleksandra Mir: Corporate Mentality - Paola Pivi https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596261690-HDKB16K5I0J06HGX1LEA/IMG_4494.JPG Programs - Aleksandra Mir: Corporate Mentality - Bonk Business Inc. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596286991-S7R3WVI1YOLR5BSCFB0I/IMG_4492.JPG Programs - Aleksandra Mir: Corporate Mentality - Daniel Pflumm https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543938442107-69E2ZZ8CRCG71AU9W1JU/DSC00082.JPG Programs - Aleksandra Mir: Corporate Mentality https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543938511395-EQJWKHM749DS0E4YKUYY/DSC00088.JPG Programs - Aleksandra Mir: Corporate Mentality https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543462796691-R5PWSNUFU2UVX9PXZJ4F/IMG_3613.JPG Programs - Aleksandra Mir: Corporate Mentality Corporate Mentality, John Kelsey and Aleksandra Mir, eds. (New York: Lucas and Sternberg, 2003) https://www.curatorialresearchbureau.org/programs/2019/call-response-yann-chateign monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545964115027-I90IMSJDN7FSUYJDPXY9/Curatorial-Research-Bureau-Program-Yann-ChateignE.jpg Programs - Yann Chateigné: By repetition, you start noticing details in the landscape Photo: Johann Besse https://www.curatorialresearchbureau.org/programs/2019/case-studies-blueprint-for-counter-education monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546807391605-C46R9GDL7WYE4INVWHJZ/DSC00117.JPG Programs - Blueprint for Counter Education  https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546807354834-HBITF9ODMVQO613RB3MM/image-asset.jpeg Programs - Blueprint for Counter Education  https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546125210626-9L60HWKO82PSKOCHPVX4/DSC00091.jpg Programs - Blueprint for Counter Education  Corporate Mentality, John Kelsey and Aleksandra Mir, eds. (New York: Lucas and Sternberg, 2003) https://www.curatorialresearchbureau.org/programs/2019/call-response-julia-born monthly 0.5 2019-11-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545868856288-D0348HKAS7E8VT2J8X2W/Curatorial-Research-Bureau-Program-Julia-Born.jpg Programs - Julia Born: New Forms of Reading / New Forms of Design https://www.curatorialresearchbureau.org/programs/2019/call-response-giorgio-angelini monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541811181424-Y4SJP1UPQONEEUWG8EG5/OWNED_Color_FG_1.409.1.jpg Programs - Giorgio Angelini—Domestic Affairs: Evaluating Ownership https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541811238532-TPA6ZPSZQ31NGB13ZM4Q/OWNED_Color_FG_1.76.1.jpg Programs - Giorgio Angelini—Domestic Affairs: Evaluating Ownership Owned, A Tale of Two Americas, 2018 (stills) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548011165153-GFBQB6GIW9KH8AUHIFJW/Curatorial-Research-Bureau-Program-Walter-Hood.jpg Programs - Giorgio Angelini—Domestic Affairs: Evaluating Ownership https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541810166632-36AFCU198CX6DQDLJA1Y/Curatorial-Learning-Bureau-Program-Giorgio-Angelini.jpg Programs - Giorgio Angelini—Domestic Affairs: Evaluating Ownership https://www.curatorialresearchbureau.org/programs/2019/call-response-lewallen-bowen monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1550192588999-DOKOE2HRUBWMAEZXNO1U/Curatorial-Research-Bureau-Program-Ted-Mann.jpg Programs - Dore Bowen, Constance Lewallen, and Ted Mann—Bruce Nauman: Spatial Encounters https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541715290287-2YM0KW60TG7J9FM3KQBL/Bruce+Nauman+Bookcover+Image.jpg Programs - Dore Bowen, Constance Lewallen, and Ted Mann—Bruce Nauman: Spatial Encounters https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542741578088-GJNSJMXCT923CM4U9T7Z/Curatorial-Learning-Bureau-Program-Connie-Lewallen.jpg Programs - Dore Bowen, Constance Lewallen, and Ted Mann—Bruce Nauman: Spatial Encounters https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541714912693-ZM99Y8JWWJDROM6D8EXV/Curatorial-Learning-Bureau-Program-Bowen.jpg Programs - Dore Bowen, Constance Lewallen, and Ted Mann—Bruce Nauman: Spatial Encounters https://www.curatorialresearchbureau.org/programs/2019/call-and-response-josiah-mcelheny monthly 0.5 2019-11-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545869362871-BFYIQWEL6T3L7AGNVC6S/Curatorial-Research-Bureau-Program-Josiah-McElheny.jpg Programs - Josiah McElheny https://www.curatorialresearchbureau.org/programs/2019/case-studies-laurel-doody-library-supply monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735074722-T8OZ4HOTEBQPRS8MN1AE/DSC00413.JPG Programs - Laurel Doody Library Supply - Stories of Almost Everyone Aram Moshayedi, Ike Onyeruenyi, eds. (Los Angeles: Prestel, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735237041-J8FW2JLT6K1Z2QQ3K651/DSC00412.JPG Programs - Laurel Doody Library Supply - Next Spring: An Occasional Series of Reviews, Athens, June 18 Laura Preston, ed. (Berlin: ATLAS Projectos and Wellington: Adam Art Gallery, Victoria University of Wellington, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735303133-NCKEM782ACYS6938RZHA/DSC00411.JPG Programs - Laurel Doody Library Supply - L.A. Tenants Union Handbook Volume 1 (Los Angeles: LATU I SILA, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735342993-8SXB5IGXZ27PBHJ8CIES/DSC00408.JPG Programs - Laurel Doody Library Supply - Sorry We Missed You Adam Stamp (Los Angeles: NEW LOW, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735379407-RGK4XJNIYT99SS09UQDA/DSC00409.JPG Programs - Laurel Doody Library Supply - Prophecy Hut: Before You Dig Steve Thomsen (Fredonia, AZ: self-published, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735418967-1XR18CE5PNXWEZYLSZOD/DSC00421.JPG Programs - Laurel Doody Library Supply - 34.212820, -116.556410 Neil Doshi (Joshua Tree, CA: 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735455504-GHFJT7T0S7EMO5TFBU8P/DSC00420.JPG Programs - Laurel Doody Library Supply - The Proofreader Daniel Malone (Warsaw: Foksal Gallery, 2013) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735486718-5HW62QD03KCEJ1PS026D/DSC00419.JPG Programs - Laurel Doody Library Supply - The Serving Library Annual 2017/18 Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Angie Keefer, Lauren Mackler, David Reinfurt, eds. (Amsterdam: Roma Publications, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735558776-1U4J7O2FOZTO5YL5ENP9/DSC00417.JPG Programs - Laurel Doody Library Supply - Limits to Growth Nicholas Mangan (Berlin: Sternberg Press, 2017) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735593771-YO0JKKNIWJDS1GJOM23B/DSC00416.jpg Programs - Laurel Doody Library Supply - Foreign Exchange (or the stories you wouldn’t tell a stranger) Clementine Deliss, Yvette Mutumba, eds. (Zurich: Diaphanes, 2014) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735650863-93ISDZBZCQGSHQ2CW839/DSC00414.JPG Programs - Laurel Doody Library Supply - The Downward Spiral Dan Arps (Auckland: DDMMYY, 2012) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735701173-NWJN7C26BZ9UNGSSWLNV/DSC00410.JPG Programs - Laurel Doody Library Supply - Femisphere Judy Darragh, Imogen Taylor (Auckland: self-published, 2017) https://www.curatorialresearchbureau.org/programs/2019/special-event-inventory-press monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543687677346-3Y6SNPZ5A3N61QGS11UV/Curatorial-Research-Bureau-Program-Shannon-and-Adam.jpg Programs - IN-FO.CO and Inventory Press: A Talk by Shannon Harvey and Adam Michaels https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543687779738-KOSEA2190KSC6FND3HYQ/ShannonandAdam_.jpg Programs - IN-FO.CO and Inventory Press: A Talk by Shannon Harvey and Adam Michaels https://www.curatorialresearchbureau.org/programs/2019/afterword-inventory-press monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543687082895-QCHIG6NV9U7SK7AGK307/Curatorial-Research-Bureau-Program-Shannon-and-Adam.jpg Programs - Shannon Harvey and Adam Michaels—Inventory Press https://www.curatorialresearchbureau.org/programs/2019/open-seminar-david-evans-frantz monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546560399842-XUYDRGS9M79MWKWVT5IP/Curatorial-Research-Bureau-Program-David-Evans-Frantz.jpg Programs - David Evans Frantz https://www.curatorialresearchbureau.org/programs/2019/call-response-frances-richards monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1544539789791-LVAHZC2F35O75C7EX7HX/Cover-Gordon-Matta-Clark.jpg Programs - Frances Richard—Gordon Matta-Clark: Physical Poetics https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545094603274-3U3G9GIK1ZTJSXBAQ58Z/Curatorial-Research-Bureau-Program-Frances-Richard.jpg Programs - Frances Richard—Gordon Matta-Clark: Physical Poetics https://www.curatorialresearchbureau.org/programs/2019/call-response-barbara-stauffacher-solomon monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542745580493-1YXG8U562NQTBU4W3LPK/Making+The+Invisible+Vis235.jpg Programs - Barbara Stauffacher Solomon https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542745645177-6ZV057JT6X05K8L9BS2P/Read+Any+Good+Boots236.jpg Programs - Barbara Stauffacher Solomon https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542741709372-L2WDF59WM0RMII9CWBRC/Curatorial-Learning-Bureau-Program-Barbara-Stauffacher-Solomon.jpg Programs - Barbara Stauffacher Solomon https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547745451994-N3MOJ862M29CYW7UDVAY/Curatorial-Research-Bureau-Program-Vee-Moran.jpg Programs - Barbara Stauffacher Solomon https://www.curatorialresearchbureau.org/programs/2019/call-response-bay-area-now-history monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1552001197926-7W1A7250W31W56EN7FIL/Curatorial-Research-Bureau-Program-BANhistory.jpg Programs - A Brief History of Bay Area Now: Artists and Curators in Conversation https://www.curatorialresearchbureau.org/programs/2019/case-studies-metahaven monthly 0.5 2019-04-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551720066709-PG9XADTIO1DVWML9NOVW/IMG_5203.JPG Programs - Metahaven—PSYOP: An Anthology https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551723344359-7BA1WG9M1K1RWHAE4E4U/DSC00645.jpg Programs - Metahaven—PSYOP: An Anthology https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551723242181-ZBRPQ33FSQVQ3CUTP2XU/DSC00643.jpg Programs - Metahaven—PSYOP: An Anthology https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551722735670-ZPKEYHYT2BWEKRK3R81E/DSC00641.jpg Programs - Metahaven—PSYOP: An Anthology https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551722952197-XB7LK97WK0A0C9XNK6YS/DSC00640.jpg Programs - Metahaven—PSYOP: An Anthology https://www.curatorialresearchbureau.org/programs/2019/open-seminar-maria-lind monthly 0.5 2019-04-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1544541298938-QUOZ3T4L4FEWZ9QBDEZF/Curatorial-Learning-Bureau-Program-Amanda-Hunt.jpg Programs - Maria Lind https://www.curatorialresearchbureau.org/programs/2019/special-event-to-know-herself monthly 0.5 2019-04-30 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1553554474023-V7A9Z7YXH00JJ7JVOSL7/Curatorial-Research-Bureau-Program-To-Know-Herself.jpg Programs - Opening Reception: To Know Herself Image: Macon Reed, Eulogy for the Dyke Bar, Plastic and digital photo reproductions. Dimensions vary. Wayfarers Gallery, New York, NY, 2015. https://www.curatorialresearchbureau.org/programs/2019/open-seminar-nancy-lim monthly 0.5 2019-04-30 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1546617876756-1NNTGJAGVA1XW0M3UJQT/Curatorial-Research-Bureau-Program-Nancy-Lim.jpg Programs - Nancy Lim https://www.curatorialresearchbureau.org/programs/2019/call-response-design-book-review monthly 0.5 2019-04-30 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1553729722320-AJ2AJN0DZYJ63G9Z250O/Curatorial-Research-Bureau-Program-design-book-review.png Programs - Reviewing Design Book Review https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1553729803824-U1J3NLSDQZMCPHKYBF84/DBR+10+001.jpg Programs - Reviewing Design Book Review https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1553729803100-B9KOI3JK7JOCDVAGDAAE/DBR+02+001.jpg Programs - Reviewing Design Book Review https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1553729806444-829NVHFM27XG5EYH7O73/DBR+09+001.jpg Programs - Reviewing Design Book Review https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1553729809942-79KIO9WLJXVQ6U0ZNVLJ/DBR+04+001.jpg Programs - Reviewing Design Book Review https://www.curatorialresearchbureau.org/programs/2019/special-event-communities-and-institutions monthly 0.5 2019-04-30 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554944508668-HL16RHZC4ZJNCOTWDJXS/Curatorial-Research-Bureau-Program-design-book-review.png Programs - Communities and Institutions: A Conversation The Circle and the Square, Suzanne Lacy, performance and video installation (2016, 2017). Photo by Graham Kay. https://www.curatorialresearchbureau.org/programs/2019/call-response-allan-desouza monthly 0.5 2019-04-30 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542158004670-Q44C2XH6Z104K323SG0A/deSouza+Cover.jpg Programs - Allan deSouza https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542232273816-YGO3743NKCLZ8A4LWA8Y/Curatorial-Learning-Bureau-Program-deSouza.jpg Programs - Allan deSouza Photo: Taro Masushio https://www.curatorialresearchbureau.org/programs/2019/case-studies-support-structures monthly 0.5 2019-05-02 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765839514-ZH03OR7N36QKZWTTAJCF/IMG_5436.jpg Programs - Céline Condorelli: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765739415-EQ8E7H3VJH6VNI92OTGQ/IMG_5400.JPG Programs - Céline Condorelli: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765659736-IDS4T3F60UXKOZDAFWS3/SupportStructures1.jpg Programs - Céline Condorelli: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765665605-0Q1P80UPP4FPPJ6R3LJ3/SupportStructures2.jpg Programs - Céline Condorelli: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765667118-2TCO1NDVFM7W9ELZ6ZCY/SupportStructures3.jpg Programs - Céline Condorelli: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765669362-3WLTGMBMLT7RVN87KL5R/SupportStructures4.jpg Programs - Céline Condorelli: Support Structures https://www.curatorialresearchbureau.org/programs/2019/call-response-chronic-freedom monthly 0.5 2019-05-02 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547231203860-QZC4R356LEM0N5IQR5Z4/Curatorial-Research-Bureau-Program-chronicfreedom.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency Photo: Taro Masushio https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228477415-V2KRAZZN1NUWSGFTNNUJ/*0857.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228477717-39SZ2MZPD3NYWZSY00A8/*0859.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228478716-4FQ24D1D5VUV1YY4S8UW/*0884.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228479937-L6DQQXDCSGF1Q9W9PZJU/*0892.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228479785-3OLKEH3YAAKBAA4GU7VE/*0893.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547230173280-J3XBO1C9WB6G59AOG2TP/*0876.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228480237-QY4Y6SF93MYTHUWBUM40/*0932.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228990103-1LTW4LFRKRSHSH4GONSP/Scott%2BHolmquist%2B-%2BSpecial%2BCollections-53.jpg Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547141955188-FZJLUC00LYEBLGFPDCYB/dsc05415re.png Programs - chronic freedom: a monument “against dialogue” on the Northern California hippie-grower insurgency https://www.curatorialresearchbureau.org/programs/2019/case-studies-10-readings-toward-a-future-for-arts-education monthly 0.5 2019-08-12 https://www.curatorialresearchbureau.org/programs/2019/talk-ute-meta-bauer monthly 0.5 2020-01-30 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566865037431-XYOQN3ALUJ0TOY430OHK/Curatorial-Research-Bureau-Program-Ute-Meta-Bauer.png Programs - Ute Meta Bauer: Where does art take place? Spaces of the Curatorial in Southeast Asia https://www.curatorialresearchbureau.org/programs/2019/talk-na-kim monthly 0.5 2019-11-24 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1565643244104-DDN3SHTDUUUKU3GK6DFW/Curatorial-Research-Bureau-Program-NaKim.png Programs - Na Kim—Capturing, Sampling and Archiving: GRAPHIC magazine https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1572839009957-KT7IPBZOIYRVL0T7EZW1/23.jpg Programs - Na Kim—Capturing, Sampling and Archiving: GRAPHIC magazine Na Kim—SET v.19: graphic, Curatorial Research Bureau and 100 Books, San Francisco. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1570572509532-0ZJDM718VYSB49LDZL28/Screen%2BShot%2B2019-10-08%2Bat%2B2.38.04%2BPM.jpg Programs - Na Kim—Capturing, Sampling and Archiving: GRAPHIC magazine GRAPHIC magazine https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1572838909829-5QP8FFCIVV21M9IA4BZM/35.jpg Programs - Na Kim—Capturing, Sampling and Archiving: GRAPHIC magazine Na Kim—SET v.19: graphic, Curatorial Research Bureau and 100 Books, San Francisco. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1572838963747-LYSQLVIS2SPM7L1SDWKX/19.jpg Programs - Na Kim—Capturing, Sampling and Archiving: GRAPHIC magazine Na Kim—SET v.19: graphic, Curatorial Research Bureau and 100 Books, San Francisco. https://www.curatorialresearchbureau.org/programs/2019/talk-sarah-rifky monthly 0.5 2020-01-30 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1566231105857-0YGG8TS0DSAY13ZF2HYL/Curatorial-Research-Bureau-Program-Sarah-Rifky.png Programs - Sarah Rifky: Worldmaking, Forms and Curating Worlds Apart https://www.curatorialresearchbureau.org/programs/2020/special-event-new-research-forum monthly 0.5 2020-01-16 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1579134202353-1D4LQFR8B26KO84LVYNE/Curatorial-Research-Bureau-Program-NewResearch-Forum.png Programs - New Research Forum https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1579134572757-IN9SHP8DJJLETTAJ2P8C/6+irene+tsatsos+2017+below+the+underground+lorena+wolffer+performance.jpg Programs - New Research Forum Artist and activist Lorena Wolffer performs If She is Mexico Who Beat Her Up? (1997-1998) at the exhibition Below the Underground: Renegade Art and Actions in 1990s Mexico, Armory Center for the Arts, Pasadena, California, 2017. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1579134673653-IK4R6WQJ19FUA8ZM6KM6/charles+gaines+1993+theater+of+refusal+uc+riverside+img006.jpg Programs - New Research Forum Installation view of Gary Simmons, Us & Them, 1990, on view in the exhibition Theater of Refusal: Black Art and Mainstream Criticism, curated by the artist Charles Gaines, in the version of the exhibition presented at Riverside Art Gallery, University of California, 1993. https://www.curatorialresearchbureau.org/programs/2020/talk-emmet-byrne monthly 0.5 2020-02-20 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858456236-GHSU73DGZIGCOPVZGP6N/Hippie-Modernism-catalog_005a2a.jpg Programs - Emmet Byrne: On Design and Publishing in the Context of a Contemporary Arts Center Hippie Modernism: The Struggle for Utopia, edited by Andrew Blauvelt (Minneapolis: Walker Art Center, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858452318-T1WT5R0CCG2C6O166BUS/Screen+Shot+2015-03-30+at+5.56.00+PM.png Programs - Emmet Byrne: On Design and Publishing in the Context of a Contemporary Arts Center Design at the Walker Art Center https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858571549-SGYQRS6CQ7OYF9EK4XY0/des2019cat_dfdf_001_e.png Programs - Emmet Byrne: On Design and Publishing in the Context of a Contemporary Arts Center Designs for Different Futures, edited by Kathryn B. Hiesinger, Michelle Millar Fisher, Emmet Byrne, Maite, Borjabad López-Pastor, and Zoë Ryan, with Andrew Blauvelt Colin Fanning and Orkan Telhan (New Haven: Yale University Press, Minneapolis: Walker Art Center, 2019). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858700831-U9OWOHIH1SG4OUV14PX6/intangibles_lightbox_final.jpg Programs - Emmet Byrne: On Design and Publishing in the Context of a Contemporary Arts Center Intangibles. An online collection of intangible products/artworks created by artists and designers, Walker Art Center online shop. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578850837450-H0203G2417FVVGRIWU98/Curatorial-Research-Bureau-Program-Emmet-Byrne.png Programs - Emmet Byrne: On Design and Publishing in the Context of a Contemporary Arts Center https://www.curatorialresearchbureau.org/programs/2020/talk-elena-filipovic monthly 0.5 2020-02-15 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578850127228-DL6SY9FD904O8WAM8CLC/Curatorial-Research-Bureau-Program-Elena-Filipovic.png Programs - Elena Filipovic: Reflections on Three Retrospectives https://www.curatorialresearchbureau.org/programs/2020/talk-the-rodina monthly 0.5 2020-03-17 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578854712268-YAZBOSYJOE8DS2Q2DFYP/2017therodina_typojanchi_seoul_MassMakeupFreckles_heads.jpg Programs - The Rodina: On Performative Design Mass Makeup: Freckles, Typojanchi, Hyundai Card Library, Seoul, 2017 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578854721727-KI06IS99EETLEZYY3FDY/2018therodina_unionize_amsterdam_2018_stagewrap.jpg Programs - The Rodina: On Performative Design Unionize: Abolish the Stage of Precarity, De School, Amsterdam, 2018 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578854728207-59SLFS2I0Z33GP5H9LVB/2019therodina_Accidental_Geopoetics_at_SonicActs_Hereafter.jpg Programs - The Rodina: On Performative Design Accidental Geopoetics, Sonic Acts Festival, Stedelijk Museum, Amsterdam, 2019 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578851362492-1KHJFPSFB3YSKI9380EM/Curatorial-Research-Bureau-Program-The-Rodina.png Programs - The Rodina: On Performative Design https://www.curatorialresearchbureau.org/programs/2020/special-event-na-kim monthly 0.5 2020-01-16 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578930362638-XQ6OFKKITXEYMAYOEIVM/Curatorial-Research-Bureau-Program-NaKim.png Programs - Na Kim: SET v.19: graphic https://www.curatorialresearchbureau.org/publications daily 0.75 2019-04-01 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533841519044-011TOTC7DY6GD172R44I/IMG_5630.JPG Publications - Distributed David Blamey and Brad Haylock, eds. (London: Open Editions, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533841519044-011TOTC7DY6GD172R44I/IMG_5630.JPG Publications - Distributed David Blamey and Brad Haylock, eds. (London: Open Editions, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533836425873-A2X579FB55PFT99XAV0F/IMG_5628+2.JPG Publications - Jean-Luc Moulène au Centre Pompidou Paris, Centre Pompidou and Editions Dilecta, 2016 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1540939152795-0725QSP5Z6X4N1GGS9EE/IMG_4205.JPG Publications https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532750585468-5NROYBX8HWROUAF9KNSM/CRB-Book-Institutional-Attitudes.jpg Publications - Institutional Attitudes: Instituting Art in a Flat World Pascal Gielen, ed. (Amsterdam: Valiz, 2013) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533836536991-GOJ8Y725YKT1Y221GPEO/IMG_5612+2.JPG Publications - mono.kultur #32: Martino Gamper, All Channels Personal Monica Khemsurov, ed. (Berlin: mono.kultur, 2012) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533836697701-1RGQ7CNTHUC573RGL8VJ/IMG_5623+2.JPG Publications - Out in the Open: In Situ/Painting, Large Scale Installations and more—Malene Landgreen Projects 2003–2013  Malene Landgreen (Copenhagen: New in the World, 2013) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533836820380-8UGZNE2S91T3PS5DYTYH/IMG_5622+2.JPG Publications - Carla #3 Preston Zappas (Los Angeles: Contemporary Art Review Los Angeles, Fall 2015) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533836889510-XEMQ1IR37LKERBKSWRWU/IMG_5621+2.JPG Publications - Henning Bohl: Namenloses Grauen  Henning Bohl (Kunsthalle Nürnberg, 2013) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533837400550-6AW3DG9HGXPIPAS3QA1W/IMG_5611+2.JPG Publications - Carolee Schneemann: Uncollected Texts Branden W. Joseph, ed. (New York: Primary Information, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1540940794828-ND7S7RTZ3PE25ADOXIZF/IMG_4207.JPG Publications - East Rancho Dominguez: I’ll Make Me a World Thomas Lawson (Los Angeles: East of Borneo Books, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533838070357-JNAJ3PLHPXGKMVO9HEHS/IMG_5619+2.JPG Publications - Midnight: The Tempest Essays Molly Nesbit (Los Angeles: Inventory Press, 2017) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1533838152347-TUQ2OXAK7YU2BT86PASF/IMG_5618+2.JPG Publications - Give Up Art: Critical Writing by Maria Fusco Jeff Khonsary, ed. 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(San Francisco: Jessica Silverman Gallery, 2015) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543464887821-RQYXM6AKNK2BXZNUFBNT/IMG_4467.JPG Publications - Variable Capital David Campbell, Mark Durden (Liverpool University Press, 2008) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543465243477-AIUSOZ35EQ2VTKBGWW1I/IMG_3613.JPG Publications - Corporate Mentality Aleksandra Mir (Berlin: Lukas & Sternberg, 2003) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971612230-T0TGXS63MXBQBQ8MEG69/DSC00091.JPG Publications - Blueprint for Counter Education. Expanded Reprint  Jeffrey T. Schnapp, ed. (Los Angeles: Inventory Press, 2016) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971168521-MJZRDBG7W21M7BGMRDPI/DSC00080-002.JPG Publications - The Murmuring of the Artistic Multitude: Global Art, Politics and Post-Fordism Pascal Gielen, ed. (Amsterdam: Valiz, 2015) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971135230-T1JA6Q3U8UGY987UP5H1/DSC00079-002.JPG Publications - Forms of Education: Couldn’t Get a Sense of It Aeron Bergman, Alejandra Salinas, Irena Borić, eds. (Portland: Institute for New Connotative Action, 2016) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971277950-WBT4VKVSGL2XCDHLT8TL/DSC00083-002.JPG Publications - Palle Nielsen. The Model. A Model for a Qualitative Society Lars Bang Larsen, ed. (Barcelona: MACBA Collection, 2010) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971396097-YA71TW3UCEDGDV0AB4LZ/DSC00086-002.JPG Publications - Dewey for Artists Mary Jane Jacob (Chicago: The University of Chicago Press, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971221835-DSHOK0F0ZFWIWR96R27W/DSC00082-002.JPG Publications - Factories of Knowledge, Industries of Creativity  Gerald Raunig (Cambridge, MA: MIT Press, 2013) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534477148547-932K4GVLNYMVZ0GVLFK9/IMG_5707.JPG Publications - Raising Frankenstein: Curatorial Education and Its Discontents Kitty Scott, ed. (Cologne: Koenig Books, 2011) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971319277-6N36GE9PEZEPU54KUVMY/DSC00084-002.JPG Publications - Learning by Doing at the Farm: Craft, Science and Counterculture in Modern California Robert J. Kett and Anna Krycz, eds. (Chicago: Soberscove Press, 2014) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971430885-5PDOGM8O1FNSJUD4BK79/DSC00087-002.JPG Publications - The Silent University: Towards a Transversal Pedagogy Florian Malzacher, Ahmet Öğüt, Pelin Tan, eds. (Berlin: Sternberg Press, 2016) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1545971371345-6OH2H0SFWJ59ZZO9F82X/DSC00085-002.JPG Publications - Zak Kyes Working With… Zak Kyes, ed. (Berlin: Sternberg Press, 2012) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534476879931-OHK2UDRJZBQ8ZRGTV8SG/IMG_5702.JPG Publications - Great Expectations: Prospects for the Future of Curatorial Education Leigh Markopoulos, ed. (Cologne: Koenig Books, San Francisco: CCA Graduate Program in Curatorial Practice, 2016) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551489696441-IAQLC9XJQISU1EHNL6Y8/IMG_5205.JPG Publications - Community Art: The Politics of Trespassing Paul De Bruyne, Pascal Gielen, eds. (Amsterdam: Valiz, 2012) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551489863453-7IZXVP6WBM7LQ99L0IGW/IMG_5204.JPG Publications - The Ethics of Art: Ecological Turns in the Performing Arts Guy Cools, Pascal Gielen, eds. (Amsterdam: Valiz, 2014) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1551489545642-M53IOSEUPAFEZ0JVVJZE/IMG_5203.JPG Publications - Metahaven—PSYOP: An Anthology Karen Archey, Metahaven, eds. (Amsterdam: Valiz, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554146189379-A23SOQKZVYHOAEF2I7TB/IMG_5398.JPG Publications - Gärten Der Kooperation Alexander Kluge (Berlin: Motto Books, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554146275199-1XLG8FH8GWI37Q0Z32B8/IMG_5401.JPG Publications - e-flux Supercommunity: Diabolical Togetherness Beyond Contemporary Art Julieta Aranda, Brian Kuan Wood, Anton Vidokle, eds. (London/New York: Verso, 2017) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554146354758-6HMESP2F8JDIQSETX6XN/IMG_5403.JPG Publications - Spaces of Commoning: Artistic Research and the Utopia of the Everyday Anette Baldauf, Stefan Gruber, Moira Hille, Annette Krauss, Vladimir Miller, Mara Verlič, Hong-Kai Wang, Julia Wieger, eds. (Berlin: Sternberg Press, 2017) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554146446711-ILGJV502MCHNX6ABO16N/IMG_5400.JPG Publications - Support Structures Céline Condorelli (Berlin: Sternberg Press, 2014) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554146504915-MU4KDPAE9RKZACJAS5X9/IMG_5397.JPG Publications - Dimensions of  Citizenship Nick Axel, Nikolaus Hirsch, Ann Lui, and Mimi Zeiger, eds. (Los Angeles: Inventory Press, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554146586352-IXZTK4ASTXS3UPXP28QF/IMG_5404.JPG Publications - Community Art: The Politics of Trespassing Paul De Bruyne, Pascal Gielen eds. (Amsterdam: Valiz, 2012) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554146991636-5BVEJQWC9PHZXVRMTW5N/IMG_5402.JPG Publications - The Constituent Museum: Constellations of Knowledge, Politics, and Mediation: A Generator of Social Change John Byrne, Elinor Morgan, November Payton, Aida Sánchez de Serdio, Adela Železnik eds. (Amsterdam: Valiz 2018) https://www.curatorialresearchbureau.org/case-studies-wex daily 0.75 2018-09-20 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041499279-2T8DW9ZHDKFRKGQP54R3/IMG_5729.JPG Case Studies: Wex https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041499279-2T8DW9ZHDKFRKGQP54R3/IMG_5729.JPG Case Studies: Wex https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041683482-GS85URGR8SVV0ITGZDSB/IMG_5775.JPG Case Studies: Wex Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535984482230-2Y29TT3PF3K699LB860Z/eel+in+bag+.jpg Case Studies: Wex Eline Mugaas and Elise Storsveen. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040715363-YUQOBLFDWPZ4NI9367MA/IMG_5717.JPG Case Studies: Wex Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040265721-PLHYR3XVHZ2JBKV8D54G/IMG_5646-001.JPG Case Studies: Wex Cover: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040272011-NIMI4RLLS3QQA92YLMCN/IMG_5647.JPG Case Studies: Wex Detail: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040428865-R5MM6ZT5WCUN7C0W1Y4Q/IMG_5650.JPG Case Studies: Wex Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040484902-7BSX0TQGTY5O6AKY6CDQ/IMG_5651-001.JPG Case Studies: Wex Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535984509824-PXVFZ7IJR5BIWYB7H09Y/IMG_5726.JPG Case Studies: Wex ALBUM #10. Fanzine by Eline Mugaas and Elise Storsveen. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040181823-DDZMDLCNPW2WXEOLWZUO/IMG_5639.JPG Case Studies: Wex Cover: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039991312-23OK7G1HYE6QWI99YFE5/IMG_5534.JPG Case Studies: Wex Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041745896-2NWETYN9ENPZ57QGWY06/IMG_5778.JPG Case Studies: Wex Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039844554-2865YS4WR7709MX9FTJI/IMG_5530.JPG Case Studies: Wex Detail: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040087550-Z5B24JJWD3TSICRIX3GD/IMG_5638.JPG Case Studies: Wex Cover: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040108214-WB6GJ7S4BE0VZEHIV1HA/IMG_5536.JPG Case Studies: Wex Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039722148-QKX25DD6CJR0TL6OX0IO/beeld_musee.JPG Case Studies: Wex André Malraux while working on his book Lemusée imaginaire de la sculpture mondiale, based on the premise of the musée imaginaire, or the imaginary museum, 1954. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041739618-2OPPJB5P2YBZJALJUJDJ/IMG_5777.JPG Case Studies: Wex Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040631388-GBNUM5YP2YQJWIBB0EU8/IMG_5719.JPG Case Studies: Wex Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040852014-OSJMRNSDPM9KAA2TGT8W/IMG_5720.JPG Case Studies: Wex Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040871911-9HHGQ0HZ30WFRGN17TJL/IMG_5721.JPG Case Studies: Wex Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041674959-ULRLZ4HPLB7B82OYF16W/IMG_5774.JPG Case Studies: Wex Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537449329936-RB4ZYHH9G8FGYUKVEI7P/IMG_5931.jpeg Case Studies: Wex Postcard of photograph by Wolfgang Tillmans titled Caravaggio (1997). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040495295-X9WHXYO1TYZAZZA9LV4B/IMG_5674.JPG Case Studies: Wex Cover: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040346302-DLFO0GJIMG6WRGVC2HC9/IMG_5648.JPG Case Studies: Wex Detail: Hal Fischer, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men (Los Angeles: Cherry and Martin, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535048019472-VCDX78SSASW0UR0FWNGC/IMG_5696.JPG Case Studies: Wex Cover: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039723239-LR9CQ9CNV6R8J4OVNYYO/IMG_5518.JPG Case Studies: Wex Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039845146-3QXI5I5UWUTEW3CBUZYL/IMG_5529.JPG Case Studies: Wex Detail: Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (Houston: Future Plan and Program, 2011). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040016942-KZCHYU9ZG5MQAJBOS17H/IMG_5535.JPG Case Studies: Wex Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039774968-ZKO4JFK98WGWEHTVZOZ9/IMG_5520.JPG Case Studies: Wex Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041002577-VH26DQF8ZXMMNU2PRTDV/IMG_5724+copy+2.JPG Case Studies: Wex Detail: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535039753480-WN69NXBF1X1P2NR769SP/IMG_5519.JPG Case Studies: Wex Detail: ALBUM by Eline Mugaas and Elise Storsveen (New York: Primary Information, Oslo: Teknisk Industri AS, 2014). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535040192691-WFCFPDVRCGJDUUAF1R8I/IMG_5640.JPG Case Studies: Wex Detail: Documents, Jérôme Saint-Loubert Bié, with texts by Cécile Dazord and Yann Sérandour (Paris: Atelier Cardenas Bellanger and École des Beaux-Arts de Rennes, 2006). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041506207-SPA3J3GPWB8IPJDR0GZE/IMG_5731.JPG Case Studies: Wex Detail: Marianne Wex, ‘Let’s Take Back Our Space’: “Female” and “Male” Body Language as a Result of Patriarchal Structure (Germany: Frauenliteratur Verlag, 1984). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041017677-WTORPMVNZJRDUJG2V1EK/IMG_5725.JPG Case Studies: Wex Detail: Lynne Tillman, Men and Apparitions: A Novel (New York: Soft Skull Press, 2018). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1535041277397-CBL559CCC8H915OYBYLM/IMG_5762.JPG Case Studies: Wex Installation view: Marianne Wex: ‘Let’s Take Back Our Space’ with printed matter from, by or about ALBUM (Eline Mugaas and Elise Storsveen), Jérôme Saint-Loubert Bié, Caravaggio, Hal Fischer, André Malraux, Martine Syms, Lynne Tillman, and Wolfgang Tillmans. https://www.curatorialresearchbureau.org/afterword-sep-2018-nashat daily 0.75 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https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450531975-0ZZ2SDU7J28VANPWB0UO/IMG_5401.JPG Call + Response: Sep 2018 Bik Van der Pol https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450532818-GH4NKBRKWQVC5DIRJBC8/IMG_5402.JPG Call + Response: Sep 2018 Bik Van der Pol https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450532943-W9JJBM6KSPG8HAKFEI6E/IMG_5403.JPG Call + Response: Sep 2018 Bik Van der Pol https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450538733-PCXPIYJK9KU3ELWFOAU4/IMG_5405.JPG Call + Response: Sep 2018 Bik Van der Pol https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1537450538986-FTK6T3UJGID244QA9CXQ/IMG_5408.JPG Call + Response: Sep 2018 Bik Van der Pol https://www.curatorialresearchbureau.org/case-studies-the-absent-museum daily 0.75 2018-10-03 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538528785736-AVDCJ7V9WVBCLFFUNJJF/IMG_6279.JPG Case Studies: The Absent Museum https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538528785736-AVDCJ7V9WVBCLFFUNJJF/IMG_6279.JPG Case Studies: The Absent Museum https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529146422-PW1I5QRNSCPE0SGCDRU3/IMG_6280.JPG Case Studies: The Absent Museum Manuel Borja-Villel, “Towards a Museum of the Common,” 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529199376-5B0H0XFGN9GQEV461D9H/IMG_6282.JPG Case Studies: The Absent Museum Mekhitar Garabedian, Fig. a, a comme alphabet (ayppenkeem), 2009–ongoing, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529286188-YHBE0AB293C114MEY22H/IMG_6283.JPG Case Studies: The Absent Museum Carsten Höller, Bart Brinckman,“The King is back. Not a single opposing vote,” De Morgen, 6 April 1990, 2001/2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529242878-9QQQBX7A2WFH6QEFYZP8/IMG_6284.JPG Case Studies: The Absent Museum Jo Baer, Tis Ill Pudding in the Cockatrice Den (Là Bas), 1987, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529323198-9TJYPJ7379SKXSVC49B9/IMG_6285.JPG Case Studies: The Absent Museum Ellen Gallagher, Dr. Blowfins, 2014, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529388946-6QTM4SFOFR1OOW11IHC4/IMG_6286.JPG Case Studies: The Absent Museum Goshka Macuga, Before the Beginning and After the End: Transhumanism, 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529418223-JNM3CCF4M198A1VAM5I4/IMG_6287.JPG Case Studies: The Absent Museum Oscar Murillo, Human Resources, 2016, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529445243-6RTHR9UGCRRQNO3BUFGM/IMG_6288.JPG Case Studies: The Absent Museum Otobong Nkanga, Queen of the Night, 2014, and Forget Me Not, 2016, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529487680-VII50SSITLG6M09G79OV/IMG_6289.JPG Case Studies: The Absent Museum https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538529518076-LJU5NF2S4L0IKKZL74PC/IMG_6290.JPG Case Studies: The Absent Museum Lili Reynaud-Dewar, Small Tragic Opera of Images and Bodies in the Museum, 2017, in The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Edited by Dirk Snauwaert (Brussels: WIELS, New Haven: Yale University Press, 2017). https://www.curatorialresearchbureau.org/special-event-sep-2018-crb-grand-opening daily 0.75 2018-10-03 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580353417-I9DI1V5TI9EHPV8BIWGA/IMG_6715.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580353417-I9DI1V5TI9EHPV8BIWGA/IMG_6715.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580353556-GR9JX5WT4ZW5PAPJK1O8/IMG_6728.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580104037-BX1M0SHW7GAXO9GGP3DH/IMG_3741.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580111360-UPIBJHAR3BJBOGZMXH8E/IMG_3730.JPG Special Event: Sep 2018 CRB Grand Opening 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https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580118938-N2625VFAAM64SE023S3E/IMG_3758+3.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580094950-3M25L83YNGWOITL8O80E/IMG_3748.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580093999-LONH1WM3JYJ1KKGD0FIK/IMG_3765.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580073583-ADM736CORSQWCH7JGLL1/IMG_3762.JPG Special Event: Sep 2018 CRB Grand Opening https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1538580073717-X29K822ZJJMCXPKLGZEW/IMG_6755.JPG Special Event: Sep 2018 CRB Grand Opening https://www.curatorialresearchbureau.org/call-response-oct-2018-barbara-pollack daily 0.75 2018-10-09 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539114100047-QP64CFOAB3GMDGU7C6Q6/IMG_3856.JPG Call + Response: Oct 2018 Barbara Pollack https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539114100047-QP64CFOAB3GMDGU7C6Q6/IMG_3856.JPG Call + Response: Oct 2018 Barbara Pollack https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539114068017-P9WRZ2FWRBKOECPQ1FX5/IMG_6327.JPG Call + Response: Oct 2018 Barbara Pollack https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539113923646-IZWRAZTVWFYP1DWA6BKJ/IMG_6327.JPG Call + Response: Oct 2018 Barbara Pollack https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539114029036-0I4LCXN3VOPVW7900DIX/IMG_3875.JPG Call + Response: Oct 2018 Barbara Pollack https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539113989114-DNF82JJOLPMD5K989ZIP/IMG_3866.JPG Call + Response: Oct 2018 Barbara Pollack https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1539113967028-W1XCXD6VWPSOC7KR0L9C/IMG_3873.JPG Call + Response: Oct 2018 Barbara Pollack https://www.curatorialresearchbureau.org/case-studies-janet-delaney daily 0.75 2018-11-02 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118181672-1T4TUXYKZK1DD3N52ECF/IMG_4196.JPG Case Studies: Janet Delaney https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118181672-1T4TUXYKZK1DD3N52ECF/IMG_4196.JPG Case Studies: Janet Delaney https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541117815110-J72DOJFPL1ME1X2J592M/IMG_4196.JPG Case Studies: Janet Delaney https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118231445-DVHQS591EWNQMJZQJNG1/IMG_4197.JPG Case Studies: Janet Delaney https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541118284698-G9A31MX6HYOSGEJU7VCB/IMG_4198.JPG Case Studies: Janet Delaney 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https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541641200545-AEPVXQPHE7J6JW9TXK4E/01.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541641200545-AEPVXQPHE7J6JW9TXK4E/01.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316534171-EO3O6LWLJ0TKJ8RDQRQH/03.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316418007-A1883ON1OBHILJ37LP09/02.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316854464-WJ7O26UIFW017DNVX2WL/08.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316650210-JXKUBUJM6120X3ZUQAQX/05.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316540834-9FMKN8RNJR6EMNEJ4CVE/04.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316650916-4S6SIN8I6114IE6EXUUY/06.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316772297-QLHG8WLNYFIZV00QQZTZ/07.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542317032255-VULD37WJBV6PDCM6RMNO/09.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1541641410326-EMVN1JWV8MQ7XO3C0YZ1/12.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316883968-1RJ2Q6S5S29ACAG1ULMV/11.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542316948383-4188WFQW0Y2IH7ALVTWJ/13.jpg Call + Response: Nov 2018 Zoë Ryan https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1542317001994-LX3KXY13G87ZRV0OBVCQ/10.jpg Call + Response: Nov 2018 Zoë Ryan https://www.curatorialresearchbureau.org/case-studies-corporate-mentality daily 0.75 2019-01-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543938434174-DPYG4P7JG1GUS4PU2PD6/DSC00080.JPG Case Studies: Corporate Mentality https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543938434174-DPYG4P7JG1GUS4PU2PD6/DSC00080.JPG Case Studies: Corporate Mentality https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596334577-8HZR3BPUXNO91IOMUH45/IMG_4491.JPG Case Studies: Corporate Mentality - Superflex https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543595712590-956ACPHHICIL7APV31YJ/IMG_4500.JPG Case Studies: Corporate Mentality - Kathrin Böhm/Stefan Saffer 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Mentality - Bernadette Corporation https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596203036-5HPXNTN99023K2ROXYY1/IMG_4495.JPG Case Studies: Corporate Mentality - Paola Pivi https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596261690-HDKB16K5I0J06HGX1LEA/IMG_4494.JPG Case Studies: Corporate Mentality - Bonk Business Inc. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543596286991-S7R3WVI1YOLR5BSCFB0I/IMG_4492.JPG Case Studies: Corporate Mentality - Daniel Pflumm https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543938442107-69E2ZZ8CRCG71AU9W1JU/DSC00082.JPG Case Studies: Corporate Mentality https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543938511395-EQJWKHM749DS0E4YKUYY/DSC00088.JPG Case Studies: Corporate Mentality https://www.curatorialresearchbureau.org/afterword-simon-fujiwara daily 0.75 2018-12-05 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973487219-CGHQUALF99DWCIWAQ1WC/1.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973487219-CGHQUALF99DWCIWAQ1WC/1.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973479079-VOZYLUOUYMHRODZK1PVW/2.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973571224-X9VZDVSE999NQHO99Q3S/3.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973579664-I3IIRPKMUBEYKDR3OM44/4.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973665049-UDDQ1BL89HI5H5Q6K2A3/5.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973677653-GPPPVELK7ISUTFKBUST1/6.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973762893-8DCENNO16VH8RN978B0W/7.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973773913-BWRE9ZNREHR51U4986OZ/8.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973854977-DCD7KL3YRY60YQP6WV1J/9.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973864661-1Q6V64WR4PFUYHT8GLYA/10.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973927153-5ZH1EQA7XV56INZ61RSN/11.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973961747-VWGNPXY8911QEJ7FDWZN/12.jpg AfterWord: Simon Fujiwara https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1543973991653-I6CKX5SNHZ7Z7JDZPT2N/20.jpg AfterWord: Simon Fujiwara https://www.curatorialresearchbureau.org/case-studies-blueprint-for-counter-education daily 0.75 2019-01-11 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547176072791-GBNFJOWWQKAIWCOOQWIY/Counter+Education-03.jpg Case Studies: Blueprint for Counter Education https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547176072791-GBNFJOWWQKAIWCOOQWIY/Counter+Education-03.jpg Case Studies: Blueprint for Counter Education https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547176150287-NRXLVYI4ZPC0C6SGV5OY/Counter+Education-01.jpg Case Studies: Blueprint for Counter Education https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547176032996-O35DKU1R4SK2Y4PHZVE8/Counter+Education-02.jpg Case Studies: Blueprint for Counter Education https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547176074004-0C4RPEB3PXD948QHVUKI/poster-window.jpg Case Studies: Blueprint for Counter Education https://www.curatorialresearchbureau.org/call-response-chronic-freedom daily 0.75 2020-01-12 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228477415-V2KRAZZN1NUWSGFTNNUJ/*0857.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228477415-V2KRAZZN1NUWSGFTNNUJ/*0857.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228477717-39SZ2MZPD3NYWZSY00A8/*0859.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228478438-KZ8V104G81WJB3X3MYFC/*0872.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228478716-4FQ24D1D5VUV1YY4S8UW/*0884.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228479937-L6DQQXDCSGF1Q9W9PZJU/*0892.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228479785-3OLKEH3YAAKBAA4GU7VE/*0893.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547230173280-J3XBO1C9WB6G59AOG2TP/*0876.jpg Call + Response: chronic freedom https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1547228480237-QY4Y6SF93MYTHUWBUM40/*0932.jpg Call + Response: chronic freedom https://www.curatorialresearchbureau.org/10-books-on-education daily 0.75 2019-05-05 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826726037-SO5MHCXBMURBOSFQH6ZK/01+copy.jpg 10 Books on Education - School: A Recent History of Self-Organized Art Education Olafur Eliasson, “What Is an Art Education?,” in School: A Recent History of Self-Organized Art Education, ed. Sam Thorne (Berlin: Sternberg, 2017). In this interview with Sam Thorne, Director of Nottingham Contemporary, Eliasson talks about his five-year school program organized around shared meals, food experiments, hospitality, social gatherings and the projection of learning outside the walls of an academy, alongside a host of intersecting practitioners and visitors. Olafur Eliasson is an Icelandic-Danish artist who led the Institut für Raumexperimente (Institute for Spatial Experiments), an experiment in arts education affiliated with the Berlin University of the Arts. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826726037-SO5MHCXBMURBOSFQH6ZK/01+copy.jpg 10 Books on Education - School: A Recent History of Self-Organized Art Education Olafur Eliasson, “What Is an Art Education?,” in School: A Recent History of Self-Organized Art Education, ed. Sam Thorne (Berlin: Sternberg, 2017). In this interview with Sam Thorne, Director of Nottingham Contemporary, Eliasson talks about his five-year school program organized around shared meals, food experiments, hospitality, social gatherings and the projection of learning outside the walls of an academy, alongside a host of intersecting practitioners and visitors. Olafur Eliasson is an Icelandic-Danish artist who led the Institut für Raumexperimente (Institute for Spatial Experiments), an experiment in arts education affiliated with the Berlin University of the Arts. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826705094-DFE1DEP2R0R9EEVMLXDX/02+copy.jpg 10 Books on Education - Kunst Lehren Teaching Art Pamela Lee, “The Social History of Art: On ‘In the Belly of Anarchitect,” in Kunst Lehren Teaching Art, Heike Belzer and Daniel Birnbaum (Köln: König Books, 2007). Invited to visit and conduct a workshop at the renown Städelschule and its exhibition program Portikus in Frankfurt, Lee reflects on the value of transforming and interweaving academic and exhibition spaces into shared social sites for learning from one another, all examined within the context of Gordan Matta-Clark’s pioneering work “Food.” Pamela M. Lee is Professor of Modern and Contemporary Art at Yale University. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826740891-4MP3D82LDBTI2P2XZFGG/03+copy.jpg 10 Books on Education - The Silent University: Towards a Transversal Pedagogy “How can we imagine a school culture based on solidarity?,” Ahmet Ögüt in conversation with Florian Malzacher, and Pelin Tan, “The Silent University as an Instituent Practice,” in The Silent University: Towards a Transversal Pedagogy, eds. Florian Malzacher, Ahmet Ögüt, and Pelin Tan (Berlin: Sternberg, 2016). The Silent University (2012–) is the artist Ahmet Ögüt’s ongoing project which brings together a peripatetic network of teachers, researchers, and fellows who participate in education models that support refugees, asylum seekers, and migrants. The interview between Ögüt and Florian Malzacher is an introduction to The Silent University, exploring the pedagogical benefit of pulling together regional intellectual and creative communities into a shared learning site, while Pelin Tan’s essay looks at The Silent University as an artistic practice and how it embodies facets of research, collaboration, and social engagement. Ahmet Ögüt is a Turkish artist based in Amsterdam. Florian Malzacher is Artistic Director of Impulse Theater Festival in Düsseldorf, Cologne, and Mülheim/Ruhr. Pelin Tan is Associate Professor in Architecture at Mardin Artuklu University in Turkey. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826756803-P6N3K097EXWHXWORICLU/04+copy.jpg 10 Books on Education - Anti-Education: On the Future of Our Educational Institutions Friedrich Nietzsche, Anti-Education: On the Future of Our Educational Institutions (1872), ed. Paul Reitter and Chad Wellmon (New York: New York Review Books, 2016). In 1872, Nietzsche delivered this series of lectures critically reflecting on the role of academic specialization and the increasing instrumentalization of education for a specific outcome and function. Friedrich Nietzsche (1844–1900) was a German philosopher who was appointed at the age of twenty-four to faculty at University of Basel. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548032662558-XDA0WFS95J4LWMWLKNWM/DSC00387.JPG 10 Books on Education https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826770483-PD712EE16H36283HIFER/05+copy.jpg 10 Books on Education - The Phantom of Liberty: Contemporary Art and the Pedagogical Paradox Allan Sekula, “School Is a Factory,” in The Phantom of Liberty: Contemporary Art and the Pedagogical Paradox, eds. Tone Hansen and Lars Bang Larson (Berlin: Sternberg, 2014). In this photo essay and accompanying postscript, Sekula reflects on education as another form of industrial production in capitalism where artist, teacher, and institution perform engrained regulatory roles in arts education as part of a capitalist functionary that upholds the myth of the artist figure. Allan Sekula (1951–2013) was an American artist who produced his photo essay “School Is a Factory” while a visiting art lecturer from 1978 to 80 (with a postscript written in 1982). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826783148-JNZHP810C6F71I47AXWD/06+copy.jpg 10 Books on Education - Forms of Education: Couldn’t Get a Sense of It Chus Martinez, “Time to be Loose,” in Forms of Education: Couldn’t Get a Sense of It, ed. Aeron Bergman, Alejandra Salinas, and Irena Borić (Portland, OR: Institute for New Connotative Action Press, 2016). In this essay Martinez reflects on the value of reinserting open-ended and “looseness of thinking” back into an academic curricula for the arts, which have increasingly become rigid and time-constrained. Chus Martinez is Head of the Institute of Art at the FHNW Academy of Art and Design in Basel. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826792889-171UMVN346V1TIR5DNZO/07+copy.jpg 10 Books on Education - Dewey for Artists “Practice,” Mary Jane Jacob, in Jacob, Dewey for Artists (Chicago: University of Chicago Press, 2018). In this chapter titled “Practice” of Mary Jane Jacob’s book the author explores a wide-ranging perspective on creative practice through work, communication, community, and general attention to daily life, examined through the lens of John Dewey’s philosophy on the aesthetic experience of everyday life. Mary Jane Jacob is professor and director of the Institute for Curatorial Research and Practice at the School of the Art Institute of Chicago. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826806278-8DWNU5VQF1NTM7QLWXJ5/08+copy.jpg 10 Books on Education - Art Production beyond the Art Market Karen van den Berg, “Fragile Productivity: Artistic Activities beyond the Exhibition System,” in Art Production beyond the Art Market, eds. Karen van den Berg and Ursula Pasero (Berlin: Sternberg, 2013). This essay explores the different directions an artist can take today, from artist as researcher and social engineer, to project developer and activist, along with analyzing the requisite educational tools and perspectives needed for work beyond the art market. Karen van den Berg is Professor Art Theory and Curating at Zeppelin University in Friedrichshafen, Germany. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826826742-N8UDC82EWXL0G6ZIXBSS/09+copy.jpg 10 Books on Education - Palle Nielsen—The Model: A Model for a Qualitative Society Lars Bang Larsen, “The Mass Utopia of Art Activism: Palle Nielsen’s ‘The Model—A Model for a Qualitative Society,” in Palle Nielsen—The Model: A Model for a Qualitative Society (1968), ed. Lars Bang Larsen (Barcelona: Museu d’Art Contemporani de Barcelona, 2010). Using the little known exhibition called The Model, which occurred at the Moderna Museet in Stockholm in 1968 where the museum was transformed into a massive playground, Lars Bang Larsen explores in this essay the important role of unstructured play in education. Lars Bang Larsen is Professor at Haute École d’Art et de Design (HEAD) in Geneva. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1556826849636-HETRQZ16750GK8B5W7B3/10+copy.jpg 10 Books on Education - Teaching Art in the Neoliberal Realm: Realism versus Cynicism Stefan Hertmans, “Masters of Unpredictability: Academies and Art Education,” in Teaching art in the Neoliberal Realm: Realism versus Cynicism, eds. Pascal Gielen and Paul De Bruyne (Amsterdam: Valiz, 2013). In this essay Stefan Hertmans provides in-depth analysis on the paradoxical position of art education today to provide students routes toward economically sustainable futures while refuting the instrumentalization of education under increasing pressures from the arts and culture industries. Stefan Hertmans is writer, poet and essayist on art education. He served previously as head of the study center at the University College Ghent. https://www.curatorialresearchbureau.org/library-supply daily 0.75 2019-02-05 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735074722-T8OZ4HOTEBQPRS8MN1AE/DSC00413.JPG Case Studies: Library Supply - Stories of Almost Everyone Aram Moshayedi, Ike Onyeruenyi, eds. (Los Angeles: Prestel, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735074722-T8OZ4HOTEBQPRS8MN1AE/DSC00413.JPG Case Studies: Library Supply - Stories of Almost Everyone Aram Moshayedi, Ike Onyeruenyi, eds. (Los Angeles: Prestel, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735237041-J8FW2JLT6K1Z2QQ3K651/DSC00412.JPG Case Studies: Library Supply - Next Spring: An Occasional Series of Reviews, Athens, June 18 Laura Preston, ed. (Berlin: ATLAS Projectos and Wellington: Adam Art Gallery, Victoria University of Wellington, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735303133-NCKEM782ACYS6938RZHA/DSC00411.JPG Case Studies: Library Supply - L.A. Tenants Union Handbook Volume 1 (Los Angeles: LATU I SILA, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735342993-8SXB5IGXZ27PBHJ8CIES/DSC00408.JPG Case Studies: Library Supply - Sorry We Missed You Adam Stamp (Los Angeles: NEW LOW, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735379407-RGK4XJNIYT99SS09UQDA/DSC00409.JPG Case Studies: Library Supply - Prophecy Hut: Before You Dig Steve Thomsen (Fredonia, AZ: self-published, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735418967-1XR18CE5PNXWEZYLSZOD/DSC00421.JPG Case Studies: Library Supply - 34.212820, -116.556410 Neil Doshi (Joshua Tree, CA: 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735455504-GHFJT7T0S7EMO5TFBU8P/DSC00420.JPG Case Studies: Library Supply - The Proofreader Daniel Malone (Warsaw: Foksal Gallery, 2013) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735486718-5HW62QD03KCEJ1PS026D/DSC00419.JPG Case Studies: Library Supply - The Serving Library Annual 2017/18 Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Angie Keefer, Lauren Mackler, David Reinfurt, eds. (Amsterdam: Roma Publications, 2018) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735558776-1U4J7O2FOZTO5YL5ENP9/DSC00417.JPG Case Studies: Library Supply - Limits to Growth Nicholas Mangan (Berlin: Sternberg Press, 2017) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735593771-YO0JKKNIWJDS1GJOM23B/DSC00416.jpg Case Studies: Library Supply - Foreign Exchange (or the stories you wouldn’t tell a stranger) Clementine Deliss, Yvette Mutumba, eds. (Zurich: Diaphanes, 2014) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735650863-93ISDZBZCQGSHQ2CW839/DSC00414.JPG Case Studies: Library Supply - The Downward Spiral Dan Arps (Auckland: DDMMYY, 2012) https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1548735701173-NWJN7C26BZ9UNGSSWLNV/DSC00410.JPG Case Studies: Library Supply - Femisphere Judy Darragh, Imogen Taylor (Auckland: self-published, 2017) https://www.curatorialresearchbureau.org/case-studies-support-structures-1 daily 0.75 2019-04-08 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765839514-ZH03OR7N36QKZWTTAJCF/IMG_5436.jpg Case Studies: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765839514-ZH03OR7N36QKZWTTAJCF/IMG_5436.jpg Case Studies: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765739415-EQ8E7H3VJH6VNI92OTGQ/IMG_5400.JPG Case Studies: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765659736-IDS4T3F60UXKOZDAFWS3/SupportStructures1.jpg Case Studies: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765665605-0Q1P80UPP4FPPJ6R3LJ3/SupportStructures2.jpg Case Studies: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765667118-2TCO1NDVFM7W9ELZ6ZCY/SupportStructures3.jpg Case Studies: Support Structures https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1554765669362-3WLTGMBMLT7RVN87KL5R/SupportStructures4.jpg Case Studies: Support Structures https://www.curatorialresearchbureau.org/case-studies-support daily 0.75 2019-05-05 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1557090466885-TU19G21WXKK49INQVL5C/DSC04135.JPG Case Studies: Support https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1557090466885-TU19G21WXKK49INQVL5C/DSC04135.JPG Case Studies: Support https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1557090459331-EWA2CDHNRYV2RL54DVGX/DSC04136.JPG Case Studies: Support https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1557090506478-CWA9117K2VHQXXW7VI6X/DSC04137.JPG Case Studies: Support https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1557090511712-BQKTCWHA5HHS379RZ3NZ/DSC04138.JPG Case Studies: Support https://www.curatorialresearchbureau.org/case-studies-10-readings daily 0.75 2019-05-14 https://www.curatorialresearchbureau.org/proseminar-the-rodina daily 0.75 2020-01-14 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578854712268-YAZBOSYJOE8DS2Q2DFYP/2017therodina_typojanchi_seoul_MassMakeupFreckles_heads.jpg Talk: The Rodina Mass Makeup: Freckles, Typojanchi, Hyundai Card Library, Seoul, 2017 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578854712268-YAZBOSYJOE8DS2Q2DFYP/2017therodina_typojanchi_seoul_MassMakeupFreckles_heads.jpg Talk: The Rodina Mass Makeup: Freckles, Typojanchi, Hyundai Card Library, Seoul, 2017 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578854721727-KI06IS99EETLEZYY3FDY/2018therodina_unionize_amsterdam_2018_stagewrap.jpg Talk: The Rodina Unionize: Abolish the Stage of Precarity, De School, Amsterdam, 2018 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578854728207-59SLFS2I0Z33GP5H9LVB/2019therodina_Accidental_Geopoetics_at_SonicActs_Hereafter.jpg Talk: The Rodina Accidental Geopoetics, Sonic Acts Festival, Stedelijk Museum, Amsterdam, 2019 https://www.curatorialresearchbureau.org/proseminar-emmet-byrne daily 0.75 2020-01-14 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858456236-GHSU73DGZIGCOPVZGP6N/Hippie-Modernism-catalog_005a2a.jpg ProSeminar: Emmet Byrne Hippie Modernism: The Struggle for Utopia, edited by Andrew Blauvelt (Minneapolis: Walker Art Center, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858456236-GHSU73DGZIGCOPVZGP6N/Hippie-Modernism-catalog_005a2a.jpg ProSeminar: Emmet Byrne Hippie Modernism: The Struggle for Utopia, edited by Andrew Blauvelt (Minneapolis: Walker Art Center, 2015). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858452318-T1WT5R0CCG2C6O166BUS/Screen+Shot+2015-03-30+at+5.56.00+PM.png ProSeminar: Emmet Byrne Design at the Walker Art Center https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858571549-SGYQRS6CQ7OYF9EK4XY0/des2019cat_dfdf_001_e.png ProSeminar: Emmet Byrne Designs for Different Futures, edited by Kathryn B. Hiesinger, Michelle Millar Fisher, Emmet Byrne, Maite, Borjabad López-Pastor, and Zoë Ryan, with Andrew Blauvelt Colin Fanning and Orkan Telhan (New Haven: Yale University Press, Minneapolis: Walker Art Center, 2019). https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1578858700831-U9OWOHIH1SG4OUV14PX6/intangibles_lightbox_final.jpg ProSeminar: Emmet Byrne Intangibles. An online collection of intangible products/artworks created by artists and designers, Walker Art Center online shop. https://www.curatorialresearchbureau.org/special-event-new-research-forum daily 0.75 2020-01-16 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1579134572757-IN9SHP8DJJLETTAJ2P8C/6+irene+tsatsos+2017+below+the+underground+lorena+wolffer+performance.jpg Special Event: New Research Forum Artist and activist Lorena Wolffer performs If She is Mexico Who Beat Her Up? (1997-1998) at the exhibition Below the Underground: Renegade Art and Actions in 1990s Mexico, Armory Center for the Arts, Pasadena, California, 2017. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1579134572757-IN9SHP8DJJLETTAJ2P8C/6+irene+tsatsos+2017+below+the+underground+lorena+wolffer+performance.jpg Special Event: New Research Forum Artist and activist Lorena Wolffer performs If She is Mexico Who Beat Her Up? (1997-1998) at the exhibition Below the Underground: Renegade Art and Actions in 1990s Mexico, Armory Center for the Arts, Pasadena, California, 2017. https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1579134673653-IK4R6WQJ19FUA8ZM6KM6/charles+gaines+1993+theater+of+refusal+uc+riverside+img006.jpg Special Event: New Research Forum Installation view of Gary Simmons, Us & Them, 1990, on view in the exhibition Theater of Refusal: Black Art and Mainstream Criticism, curated by the artist Charles Gaines, in the version of the exhibition presented at Riverside Art Gallery, University of California, 1993. https://www.curatorialresearchbureau.org/crb daily 0.75 2020-05-29 https://www.curatorialresearchbureau.org/archived daily 1.0 2022-09-03 https://www.curatorialresearchbureau.org/crb-dispatch-issue-1 daily 0.75 2019-05-04 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1531003474961-772JF6XYGY1PNZP7W5QM/Curatorial-Learning-Bureau-SemiCircle-2.png 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https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534133622965-R1EAV44JY3N97GYQM7X5/Curatorial-Learning-Bureau-Nearby-TheLab.jpg CRB Dispatch: Issue 1 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534465383123-GQKAS5RSOI0LN4AT9CC3/IMG_2956.JPG CRB Dispatch: Issue 1 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1534546671369-O0ZZJNK6VHO7YQDK9W24/CRB-Dispatch-logo-2.jpg CRB Dispatch: Issue 1 https://images.squarespace-cdn.com/content/v1/5ae11437cef372a489af8b9e/1532052080588-41IGXCI93HPHDPGKEAWL/IMG_5443.JPG CRB Dispatch: Issue 1 https://www.curatorialresearchbureau.org/pedagogy daily 0.75 2020-01-14 https://www.curatorialresearchbureau.org/guests daily 0.75 2019-04-24 https://www.curatorialresearchbureau.org/platform daily 0.75 2022-09-06 https://www.curatorialresearchbureau.org/administration daily 0.75 2018-08-09 https://www.curatorialresearchbureau.org/exhibitions daily 0.75 2018-10-03 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